Jimmy Stewart

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Jimmy Stewart was one of Hollywood's most respected and admired stars during his long movie career. He won an Academy Award in 1940 and was considered by many critics to be one of the great leading men from Hollywood's studio era.

He made his film debut in 1935, but at first, Stewart's slow, halting line delivery (perhaps his most readily identifiable trademark) and angular features made him difficult to cast. His engaging manner, however, led to quick acceptance by the movie-going public, and he played endearingly simple and idealistic characters in Frank Capra's You Can't Take It with You (1938) and Mr. Smith Goes to Washington (1939). He won an Academy Award for best actor for his performance in The Philadelphia Story (1940). After serving as a bomber pilot in World War II, he starred in It's a Wonderful Life (1946), which became a Christmas classic. He was known for his portrayals of diffident but morally resolute characters. His many movies include Destry Rides Again (1939), The Glenn Miller Story (1954), The Man from Laramie (1955), Anatomy of a Murder (1959), and Alfred Hitchcock's Rope (1948), Rear Window (1954), The Man Who Knew Too Much (1955), and Vertigo (1958).

Stewart has a star on the Hollywood Walk of Fame at 1708 Vine Street. The star was once stolen but was subsequently replaced.

James Maitland "Jimmy" Stewart (May 20, 1908 – July 2, 1997) was an American film and stage actor. Over the course of his career, he starred in many films widely considered classics and was nominated for five Academy Awards, winning one in competition and receiving one Lifetime Achievement award. He was a major MGM contract star. He also had a noted military career and was a World War II and Vietnam War veteran, who rose to the rank of Brigadier General in the United States Air Force Reserve.

Throughout his seven decades in Hollywood, Stewart cultivated a versatile career and recognized screen image in such classics as Mr. Smith Goes to Washington, The Philadelphia Story, Harvey, It's a Wonderful Life, Rear Window, Rope, The Man Who Knew Too Much, and Vertigo. He is the most represented leading actor on the AFI's 100 Years…100 Movies (10th Anniversary Edition) and AFI's 10 Top 10 lists. He is also the most represented leading actor on the 100 Greatest Movies of All Time list presented by Entertainment Weekly. As of 2007, ten of his films have been inducted into the United States National Film Registry.

Stewart left his mark on a wide range of film genres, including westerns, suspense thrillers, family films, biographies and screwball comedies. He worked for a number of renowned directors later in his career, most notably Alfred Hitchcock, John Ford, Billy Wilder, Frank Capra, George Cukor, and Anthony Mann. He won many of the industry's highest honors and earned Lifetime Achievement awards from every major film organization. He died at age 89, leaving behind a legacy of classic performances, and is considered one of the finest actors of the "Golden Age of Hollywood". He was named the third Greatest Male Star of All Time by the American Film Institute.

http://en.wikipedia.org/wiki/Jimmy_Stewart

James Stewart From Wikipedia, the free encyclopedia "Jimmy Stewart" and "Jimmy Stuart" redirect here. For other uses, see Jimmy Stewart (disambiguation) and James Stuart (disambiguation). For other people named James Stewart, see James Stewart (disambiguation). James Stewart Annex - Stewart, James (Call Northside 777) 01.jpg Studio publicity photo for Call Northside 777 (1948) Born James Maitland Stewart May 20, 1908 Indiana, Pennsylvania, U.S. Died July 2, 1997 (aged 89) Beverly Hills, California, U.S. Cause of death Blood clot in the lung Resting place Forest Lawn, Glendale, California Other names Jimmy Stewart Education Mercersburg Academy Alma mater Princeton University (1932) Occupation Actor Years active 1932–1991 Home town Indiana, Pennsylvania Spouse(s) Gloria Hatrick McLean (1949–94) Children 4 children (including 2 adopted stepchildren) Awards Lifetime Achievement Award (among others) Military career Allegiance United States of America Service/branch US Army Air Corps Hap Arnold Wings.svg United States Army Air Forces Air Force Reserve Command.png United States Air Force Reserve Years of service 1941–1968 Rank US-O7 insignia.svg Brigadier General United States Unit 445th Bombardment Group 453rd Bombardment Group Eighth Air Force Strategic Air Command Commands held 703rd Bombardment Squadron Dobbins Air Force Base Battles/wars World War II Vietnam War Awards Air Force Distinguished Service Medal Distinguished Flying Cross (2) Air Medal (4) Army Commendation Medal Armed Forces Reserve Medal Presidential Medal of Freedom French Croix de Guerre with Palm James "Jimmy" Maitland Stewart[N 1] (May 20, 1908 – July 2, 1997) was an American film and stage actor, known for his distinctive drawl voice and down-to-earth persona. Over the course of his career, he starred in many films widely considered classics. He was known for portraying the average American Middle Class man, with everyday life struggles. Stewart was nominated for five Academy Awards, winning one in competition and receiving one Lifetime Achievement award. Stewart was named the third greatest male screen legend in cinema history by the American Film Institute.[1] He was a major Metro-Goldwyn-Mayer contract star. He also had a noted military career and was a World War II and Vietnam War veteran, who rose to the rank of Brigadier General in the United States Air Force Reserve. The actor Cary Grant said of Stewart's acting technique, "He had the ability to talk naturally. He knew that in conversations people do often interrupt one another and it's not always so easy to get a thought out. It took a little time for the sound men to get used to him, but he had an enormous impact. And then, some years later, Marlon came out and did the same thing all over again—but what people forget is that Jimmy did it first."[2] Contents [hide] 1 Early life and career 2 Prewar success 3 Military service 4 Military honors 5 Postwar battle 6 Collaborations with Hitchcock and Mann 6.1 Career in the 1960s and 1970s 7 Last years and later career 8 Personal life 8.1 Politics 9 Death 10 Filmography 11 Broadway performances 12 Legacy 13 Honors and tributes 14 See also 15 References 15.1 Notes 15.2 Citations 15.3 Bibliography 16 External links Early life and career[edit]

After the Thin Man (1936) James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, the son of Elizabeth Ruth (née Jackson) and Alexander Maitland Stewart, who owned a hardware store.[3][4] Stewart had Scottish and Irish ancestry, and was raised as a Presbyterian.[5][6][7] He was descended from veterans of the American Revolution, the War of 1812, and the American Civil War.[7] The eldest of three children (he had two younger sisters, Virginia and Mary), he was expected to continue his father's business, which had been in the family for three generations. His mother was an excellent pianist but his father discouraged Stewart's request for lessons. When his father accepted a gift of an accordion from a guest, young Stewart quickly learned to play the instrument, which became a fixture offstage during his acting career. As the family grew, music continued to be an important part of family life.[8] Stewart attended Mercersburg Academy prep school, graduating in 1926. He was active in a variety of activities. He played on the football and track teams, was art editor of the KARUX yearbook, and a member of the choir club, glee club, and John Marshall Literary Society. During his first summer break, Stewart returned to his hometown to work as a brick loader for a local construction company and on highway and road construction jobs where he painted lines on the roads. Over the following two summers, he took a job as an assistant with a professional magician.[9] He made his first appearance onstage at Mercersburg, as Buquet in the play The Wolves.[10] A shy child, Stewart spent much of his after-school time in the basement working on model airplanes, mechanical drawing and chemistry—all with a dream of going into aviation. It was a dream greatly enhanced by the legendary 1927 flight of Charles Lindbergh, whose progress 19-year-old Stewart, then stricken with scarlet fever, was himself feverishly following from home; thus foreshadowing his starring movie role as Lindbergh 30 years later.[11]

However, he abandoned visions of being a pilot when his father insisted that instead of the United States Naval Academy he attend Princeton University. Stewart enrolled at Princeton in 1928 as a member of the class of 1932. He excelled at studying architecture, so impressing his professors with his thesis on an airport design that he was awarded a scholarship for graduate studies;[9] but he gradually became attracted to the school's drama and music clubs, including the Princeton Triangle Club.[12] His acting and accordion talents at Princeton led him to be invited to the University Players, an intercollegiate summer stock company in West Falmouth, Massachusetts, on Cape Cod. The company had been organized in 1928 and would run until 1932, with Joshua Logan, Bretaigne Windust, and Charles Leatherbee as directors. Stewart performed in bit parts in the Players' productions in Cape Cod during the summer of 1932, after he graduated. The troupe had previously included Henry Fonda, who married Margaret Sullavan on Christmas Day 1931, while the players were in Baltimore, Maryland for an 18-week winter season.[13] Sullavan, who had rejoined the Players in Baltimore in November 1931 at the close of the post-Broadway tour of A Modern Virgin, left the Players for good at the end of The Trial of Mary Dugan in Baltimore in March 1932. By the time Stewart joined the University Players on Cape Cod after his graduation from Princeton in 1932, Fonda and Sullavan's brief marriage had ended.[14] Stewart and Fonda became great friends over the summer of 1932 when they shared an apartment with Joshua Logan and Myron McCormick.[15] When Stewart came to New York at the end of the summer stock season, which had included the Broadway tryout of Goodbye Again, he shared an apartment with Fonda, who had by then finalized his divorce from Sullavan. Along with fellow University Players Alfred Dalrymple and Myron McCormick, Stewart debuted on Broadway as a chauffeur in the comedy Goodbye Again, in which he had two lines. The New Yorker noted, "Mr. James Stewart's chauffeur... comes on for three minutes and walks off to a round of spontaneous applause."[16] The play was a moderate success, but times were hard. Many Broadway theaters had been converted to movie houses and the Depression was reaching bottom. "From 1932 through 1934", Stewart later recalled, "I'd only worked three months. Every play I got into folded."[17] By 1934, he was given more substantial stage roles, including the modest hit Page Miss Glory and his first dramatic stage role in Sidney Howard's Yellow Jack, which convinced him to continue his acting career. However, Stewart and Fonda, still roommates, were both struggling. In the fall of 1934, Fonda's success in The Farmer Takes a Wife took him to Hollywood. Finally, Stewart attracted the interest of MGM scout Bill Grady who saw Stewart on the opening night of Divided by Three, a glittering première with many luminaries in attendance, including Irving Berlin, Moss Hart and Fonda, who had returned to New York for the show. With Fonda's encouragement, Stewart agreed to take a screen test, after which he signed a contract with MGM in April 1935, as a contract player for up to seven years at $350 a week.[18]

Stewart made four features with Margaret Sullavan, the second of which was The Shopworn Angel (1938) Upon Stewart's arrival by train in Los Angeles, Fonda greeted him at the station and took him to Fonda's studio-supplied lodging, next door to Greta Garbo. Stewart's first job at the studio was as a participant in screen tests with newly arrived starlets. At first, he had trouble being cast in Hollywood films owing to his gangling looks and shy, humble screen presence. Aside from an unbilled appearance in a Shemp Howard comedy short called Art Trouble in 1934, his first film was the poorly received Spencer Tracy vehicle, The Murder Man (1935). Rose Marie (1936), an adaptation of a popular operetta, was more successful. After having mixed success in films, he received his first intensely dramatic role in 1936's After the Thin Man, and played Jean Harlow's character's frustrated boyfriend in the Clark Gable vehicle Wife vs. Secretary earlier that same year. On the romantic front, he dated newly divorced Ginger Rogers.[19] The romance soon cooled, however, and by chance Stewart encountered Margaret Sullavan again. Stewart found his footing in Hollywood thanks largely to Sullavan, who campaigned for Stewart to be her leading man in the 1936 romantic comedy Next Time We Love. She rehearsed extensively with him, having a noticeable effect on his confidence. She encouraged Stewart to feel comfortable with his unique mannerisms and boyish charm and use them naturally as his own style. Stewart was enjoying Hollywood life and had no regrets about giving up the stage, as he worked six days a week in the MGM factory.[20] In 1936, he acquired big-time agent Leland Hayward, who would eventually marry Sullavan. Hayward started to chart Stewart's career, deciding that the best path for him was through loan-outs to other studios. Prewar success[edit]

Frank Capra's comedy You Can't Take It With You (1938) was one of the films that brought Stewart widespread attention In 1938, Stewart had a brief, tumultuous romance with Hollywood queen Norma Shearer, whose husband, Irving Thalberg, head of production at MGM, had died two years earlier. Stewart began a successful partnership with director Frank Capra in 1938, when he was loaned out to Columbia Pictures to star in You Can't Take It With You. Capra had been impressed by Stewart's minor role in Navy Blue and Gold (1937). The director had recently completed several popular movies, including It Happened One Night (1934), and was looking for the right actor to suit his needs—other recent actors in Capra's films such as Clark Gable, Ronald Colman, and Gary Cooper did not quite fit. Not only was Stewart just what he was looking for, but Capra also found Stewart understood that prototype intuitively and required very little directing. Later Capra commented, "I think he's probably the best actor who's ever hit the screen."[21] You Can't Take It With You, starring Capra's "favorite actress", comedienne Jean Arthur, won the 1938 Best Picture Academy Award. The following year saw Stewart work with Capra and Arthur again in the political comedy-drama Mr. Smith Goes to Washington. Stewart replaced intended star Gary Cooper in the film, playing an idealist thrown into the political arena. Upon its October 1939 release, the film garnered critical praise and became a box-office success. Stewart was nominated for the first of five Academy Awards for Best Actor. Stewart's father was still trying to talk him into leaving Hollywood and its sinful ways and to return to his home town to lead a decent life. Stewart took a secret trip to Europe to take a break and returned home in 1939 just as Germany invaded Poland.[21] You hear so much about the old movie moguls and the impersonal factories where there is no freedom. MGM was a wonderful place where decisions were made on my behalf by my superiors. What's wrong with that? James Stewart Destry Rides Again, also released in 1939, became Stewart's first western film, a genre with which he would become identified later in his career. In this western parody, he is a pacifist lawman and Marlene Dietrich is the dancing saloon girl who comes to love him, but doesn't get him. In the film, Dietrich sings her famous song "The Boys in the Back Room". Off-screen, Dietrich did get her man, but the romance was short-lived.[22] Made for Each Other (1939) had Stewart sharing the screen with irrepressible Carole Lombard in a melodrama that garnered good reviews for both stars, but did less well with the public. Newsweek wrote that they were "perfectly cast in the leading roles."[23] Between movies, Stewart began a radio career and became a distinctive voice on the Lux Radio Theater's The Screen Guild Theater and other shows. So well-known had his slow drawl become that comedians began impersonating him.[24]

Stewart won his only Academy Award for Best Actor for 1940's The Philadelphia Story. He is seen here with co-star Katharine Hepburn In 1940, Stewart and Sullavan reunited for two films. The first, the Ernst Lubitsch romantic comedy, The Shop Around the Corner, starred Stewart and Sullavan as co-workers unknowingly involved in a pen-pal romance but who cannot stand each other in real life (this was subsequently remade into the musical, In the Good Old Summertime with Judy Garland and Van Johnson, and later as the romantic comedy You've Got Mail with Tom Hanks and Meg Ryan). It was Stewart's fifth film of the year and that rare film shot in sequence; it was completed in only 27 days.[25] The Mortal Storm, directed by Frank Borzage, was one of the first blatantly anti-Nazi films to be produced in Hollywood and featured Sullavan and Stewart as friends and then lovers caught in turmoil upon Hitler's rise to power, literally hunted down by their own friends. Stewart also starred with Cary Grant and Katharine Hepburn in George Cukor's classic The Philadelphia Story (1940). His performance as an intrusive, fast-talking reporter earned him his only Academy Award in a competitive category (Best Actor, 1941), and he beat out his good friend Henry Fonda (The Grapes of Wrath). Stewart thought his performance "entertaining and slick and smooth" but lacking the "guts" of "Mr. Smith."[26] Stewart gave the Oscar statuette to his father, who displayed it for many years in a case inside the front door of his hardware store, alongside other family awards and military medals. During the months before he began military service, Stewart appeared in a series of screwball comedies with varying levels of success. He followed the mediocre No Time for Comedy (1940) with Rosalind Russell and Come Live with Me (1941) with Hedy Lamarr with the Judy Garland musical, Ziegfeld Girl, and the George Marshall romantic comedy Pot o' Gold featuring Paulette Goddard. Stewart was drafted in late 1940, a situation that coincided with the lapse in his MGM contract, marking a turning point in Stewart's career, with 28 movies to his credit at that point.[27] Military service[edit]

The Stewart and Jackson families had deep military roots as both grandfathers had fought in the Civil War, and his father had served during both the Spanish-American War and World War I. Stewart considered his father to be the biggest influence on his life, so it was not surprising that, when another war came, he too was eager to serve. Members of his family had previously been in the infantry, but Stewart chose to become a military flier.[28] An early interest in flying led Stewart to gain his Private Pilot certificate in 1935 and Commercial Pilot certificate in 1938. He often flew cross-country to visit his parents in Pennsylvania, navigating by the railroad tracks.[9] Nearly two years before the December 1941 attack on Pearl Harbor, Stewart had accumulated over 400 hours of flying time.[29] Considered a highly proficient pilot, he entered a cross-country race as a co-pilot in 1939.[30] Stewart, along with musician/composer Hoagy Carmichael, saw the need for trained war pilots, and joined with other Hollywood celebrities to invest in Thunderbird Field, a pilot-training school built and operated by Southwest Airways in Glendale, Arizona. This airfield became part of the United States Army Air Forces training establishment and trained more than 10,000 pilots during World War II, and is now the home of Thunderbird School of Global Management.[31] In October 1940, Stewart was drafted into the United States Army but was rejected for failing to meet height and weight requirements for new recruits—Stewart was five pounds (2.3 kg) under the standard. To get up to 148 pounds, he sought out the help of Metro-Goldwyn-Mayer's muscle man and trainer Don Loomis, who was noted for his ability to add or subtract pounds in his studio gymnasium. Stewart subsequently attempted to enlist in the Air Corps, but still came in under the weight requirement, although he persuaded the enlistment officer to run new tests, this time passing the weigh-in,[32][N 2] with the result that Stewart enlisted and was inducted in the Army on March 22, 1941. He became the first major American movie star to wear a military uniform in World War II.[33] Stewart enlisted as a private[9][34] but as both a college graduate and a licensed commercial pilot applied for an Air Corps commission and pilot rating. Soon to be 33, he was almost six years beyond the maximum age restriction for aviation cadet training, the normal path of commissioning for pilots. Stewart received his commission as a second lieutenant on January 19, 1942, shortly after the attack on Pearl Harbor, while a corporal at Moffett Field, California. He also received a pilot rating, although the circumstances are unclear, since he did not participate in the standard pilot training program.[N 3] Stewart's first assignment was an appearance at a March of Dimes rally in Washington, D.C., but Stewart desired assignment to an operational unit rather than serve as a recruiting symbol. He applied for and was granted advanced training in multi-engined aircraft. Stewart was posted to nearby Mather Field to instruct in both single- and twin-engined aircraft.[34] [35] File:Winning Your Wings.ogv

James Stewart in Winning Your Wings (1942) Public appearances by Stewart were limited engagements scheduled by the Army Air Forces. "Stewart appeared several times on network radio with Edgar Bergen and Charlie McCarthy. Shortly after Pearl Harbor, he performed with Orson Welles, Edward G. Robinson, Walter Huston and Lionel Barrymore in an all-network radio program called We Hold These Truths, dedicated to the 150th anniversary of the Bill of Rights."[36] In early 1942, Stewart was asked to appear in a film to help recruit the anticipated 100,000 airmen that the USAAF would need to win the war. The USAAF's First Motion Picture Unit shot scenes of Lieutenant Stewart in his pilot's flight jacket and recorded his voice for narration. The short propaganda film, Winning Your Wings, appeared nationwide beginning in late May and was very successful, resulting in 150,000 new recruits.[37][38] Stewart was concerned that his expertise and celebrity status would relegate him to instructor duties "behind the lines."[39] His fears were confirmed when after his promotion to first lieutenant on July 7, 1942,[40] he was stationed from August to December 1942 at Kirtland Army Airfield in Albuquerque, New Mexico, piloting AT-ll Kansans used in training bombardiers. He was transferred to Hobbs Army Airfield, New Mexico, for three months of transition training in the four-engine B-17 Flying Fortress, then sent to the Combat Crew Processing Center in Salt Lake City, where he expected to be assigned to a combat unit. Instead he was assigned in early 1943 to an operational training unit, the 29th Bombardment Group at Gowen Field, Boise, Idaho, as an instructor.[34] He was promoted to captain on July 9, 1943,[40] and appointed a squadron commander.[35] For Stewart, now 35, combat duty seemed far away and unreachable and he had no clear plans for the future. However, a rumor that Stewart would be taken off flying status and assigned to making training films or selling bonds called for immediate action, because what he dreaded most was "the hope-shattering spectre of a dead end."[41] Stewart appealed to his commander, 30-year-old Lt. Col. Walter E. Arnold Jr., who understood his situation and recommended Stewart to the commander of the 445th Bombardment Group, a B-24 Liberator unit that had just completed initial training at Gowen Field and gone on to final training at Sioux City Army Air Base, Iowa.[42][N 4]

World War II bomber pilot in 1943 In August 1943, Stewart was assigned to the 445th Bomb Group as operations officer of the 703d Bombardment Squadron, but after three weeks became its commander. On October 12, 1943, judged ready for overseas movement, the 445th Bomb Group staged to Lincoln Army Airfield, Nebraska. Flying individually, the aircraft first flew to Morrison Army Airfield, Florida, and then on the circuitous Southern Route along the coasts of South America and Africa to RAF Tibenham, Norfolk, England. After several weeks of training missions, in which Stewart flew with most of his combat crews, the group flew its first combat mission on December 13, 1943, to bomb the U-boat facilities at Kiel, Germany, followed three days later by a mission to Bremen. Stewart led the high squadron of the group formation on the first mission, and the entire group on the second.[44] Following a mission to Ludwigshafen, Germany, on January 7, 1944, Stewart was promoted to major.[44][N 5] Stewart was awarded the Distinguished Flying Cross for actions as deputy commander of the 2nd Combat Bombardment Wing on the first day of "Big Week" operations in February and flew two other missions that week.[46] On March 22, 1944, Stewart flew his 12th combat mission, leading the 2nd Bomb Wing in an attack on Berlin. On March 30, 1944, he was sent to RAF Old Buckenham to become group operations officer of the 453rd Bombardment Group, a new B-24 unit that had just lost both its commander and operations officer on missions.[47] As a means to inspire the unit, Stewart flew as command pilot in the lead B-24 on several missions deep into Nazi-occupied Europe. As a staff officer, Stewart was assigned to the 453rd "for the duration" and thus not subject to a quota of missions of a combat tour. He nevertheless assigned himself as a combat crewman on the group's missions until his promotion to lieutenant colonel on June 3[40] and reassignment on July 1, 1944, to the 2nd Bomb Wing, assigned as executive officer to Brigadier General Edward J. Timberlake. His official tally of mission credits while assigned to the 445th and 453rd Bomb Groups totaled 20 sorties.

Receiving French Croix de Guerre with Palm in 1944 Stewart continued to make missions, uncredited, flying with the pathfinder squadron of the 389th Bombardment Group, with his two former groups, and with groups of the 20th Combat Bomb Wing.[48] He received a second award of the Distinguished Flying Cross for actions in combat and was awarded the Croix de Guerre. He also received the Air Medal with three oak leaf clusters. Stewart served in a number of staff positions in the 2nd and 20th Bomb Wings between July 1944 and the end of the war in Europe, and was promoted to full colonel on March 29, 1945.[40][49] On May 10, 1945, he succeeded to command of the 2nd Bomb Wing, a position he held until June 15.[50] Stewart was one of the few Americans to rise from private to colonel in four years.[9][34] At the beginning of June 1945, Stewart was the presiding officer of the court-martial of a pilot and navigator who were charged with dereliction of duty for having accidentally bombed the Swiss city of Zurich the previous March—the first instance of U.S. personnel being tried for an attack on a neutral country. The Court acquitted the defendants.[51]

Brig. Gen. Stewart ca. 1960 Stewart continued to play a role in the United States Air Force Reserve after the war, reaching the rank of Brigadier General on July 23, 1959.[40][52] He was also one of the 12 founders and a charter member of the Air Force Association in October 1945. Stewart rarely spoke about his wartime service but did appear in January 1974 in an episode of the TV series The World At War, "Whirlwind: Bombing Germany (September 1939 – April 1944)", commenting on the disastrous mission of October 14, 1943, against Schweinfurt, Germany. At his request, he was identified only as "James Stewart, Squadron Commander" in the documentary.[53] Stewart received permanent promotion to colonel in 1953 and served as Air Force Reserve commander of Dobbins Air Reserve Base. In 1966, Brigadier General James Stewart flew as a non-duty observer in a B-52 on an Arc Light bombing mission during the Vietnam War. At the time of his B-52 flight, he refused the release of any publicity regarding his participation, as he did not want it treated as a stunt, but as part of his job as an officer in the Air Force Reserve. After 27 years of service, Stewart retired from the Air Force on May 31, 1968.[54] He was promoted to major general on the retired list by President Ronald Reagan.[55] Military honors[edit]

Main article: List of awards and nominations received by James Stewart Stewart received a number of awards during his military service. Postwar battle[edit]

After the war, Stewart took time off to reassess his career.[56] He was an early investor in Southwest Airways, founded by Leland Hayward, and considered going into the aviation industry if his restarted film career did not prosper.[57] Upon Stewart's return to Hollywood in fall 1945, he decided not to renew his MGM contract. He signed with an MCA talent agency. His former agent Leland Hayward got out of the talent business in 1944 after selling his A-list of stars, including Stewart, to MCA.[58]

As George Bailey, with guardian angel Clarence, in It's a Wonderful Life (1946). Stewart was Oscar-nominated for the performance, and the film is widely considered a Christmas classic For his first film in five years, Stewart appeared in his third and final Frank Capra production, It's a Wonderful Life.[59][N 6] Capra paid RKO for the rights to the story and formed his own production company, Liberty Films. The female lead went to Donna Reed, after Capra's perennial first choice, Jean Arthur, was unavailable, and after Ginger Rogers, Olivia de Havilland, Ann Dvorak and Martha Scott had all turned down the role.[60] Stewart appeared as George Bailey, an upstanding small-town man who becomes increasingly frustrated by his ordinary existence and financial troubles. Driven to suicide on Christmas Eve, he is led to reassess his life by Clarence Odbody AS2,[61] an "angel, second class", played by Henry Travers. Although It's a Wonderful Life was nominated for five Academy Awards, including Stewart's third Best Actor nomination, it received mixed reviews and only disappointingly moderate success at the box office.[62] However, in the decades since the film's release, it grew to define Stewart's film persona and is widely considered as a sentimental Christmas film classic and, according to the American Film Institute, one of the best movies ever made. In an interview with Michael Parkinson in 1973, Stewart declared that out of all the movies he had made, It's a Wonderful Life was his favorite. After viewing the film, President Harry S Truman concluded, "If Bess and I had a son we'd want him to be just like Jimmy Stewart."[63] In the aftermath of the film, Capra's production company went into bankruptcy, while Stewart started to have doubts about his ability to act after his military hiatus.[64] His father kept insisting he come home and marry a local girl. Meanwhile in Hollywood, his generation of actors were fading and a new wave of actors would soon remake the town, including Marlon Brando, Montgomery Clift and James Dean.[65] You Gotta Stay Happy poster.jpg

Magic Town (1947), a comedy film directed by William A. Wellman, starring James Stewart and Jane Wyman, was one of the first films about the then-new science of public opinion polling. It was poorly received. He completed Rope (1948) directed by Alfred Hitchcock and Call Northside 777 (1948), and weathered two box-office disappointments with On Our Merry Way (1948), a comedic musical ensemble in which Stewart and Henry Fonda were paired as two jazz musicians named "Slim" and "Lank," and You Gotta Stay Happy (1949), for which the posters depicted Stewart being kissed on one cheek by Joan Fontaine and on the other by a chimpanzee. In the documentary film James Stewart: A Wonderful Life (1987), hosted by Johnny Carson, Stewart said that he went back to Westerns in 1950 in part because of a string of films that were flops. He returned to the stage to star in Mary Coyle Chase's Harvey, which had opened to nearly universal praise in November 1944,[66] as Elwood P. Dowd, a wealthy eccentric living with his sister and niece, and whose best friend is an invisible rabbit as large as a man. Dowd's eccentricity, especially the friendship with the rabbit, is ruining the niece's hopes of finding a husband. While trying to have Dowd committed to a sanatorium, his sister is committed herself while the play follows Dowd on an ordinary day in his not-so-ordinary life. Stewart took over the role from Frank Fay and gained an increased Broadway following in the unconventional play.[66] The play, which ran for nearly three years with Stewart as its star, was successfully adapted into a 1950 film, directed by Henry Koster, with Stewart as Dowd and Josephine Hull as his sister, Veta. Bing Crosby was the first choice but he declined.[67]Stewart reprised the role on the London stage in 1975. Stewart received his fourth Best Actor nomination for his performance in the film. After Harvey, the comedic adventure film Malaya (1949) with Spencer Tracy and the conventional but highly successful biographical film The Stratton Story in 1949, Stewart's first pairing with "on-screen wife" June Allyson, his career took another turn.[68] During the 1950s, he expanded into the western and suspense genres, thanks to collaborations with Alfred Hitchcock and Anthony Mann. Other notable performances by Stewart during this time include the critically acclaimed 1950 Delmer Daves western Broken Arrow, which featured Stewart as an ex-soldier and Indian agent making peace with the Apache; a troubled clown in the 1952 Best Picture The Greatest Show on Earth; and Stewart's role as Charles Lindbergh in Billy Wilder's 1957 film The Spirit of St. Louis. He also starred in the western radio show The Six Shooter for its one-season run from 1953 to 1954. During this time Stewart wore the same cowboy hat and rode the same horse, named "Pie", in most of his Westerns.[69][70] Collaborations with Hitchcock and Mann[edit]

Stewart's collaborations with director Anthony Mann increased Stewart's popularity and sent his career into the realm of the western. Stewart's first appearance in a film directed by Mann came with the 1950 western, Winchester '73. In choosing Mann (after first choice Fritz Lang declined), Stewart cemented a powerful partnership.[71] The film, which became a massive box-office hit upon its release, set the pattern for their future collaborations. In it, Stewart is a tough, revengeful sharpshooter, the winner of a prized rifle which is stolen and then passes through many hands, until the showdown between Stewart and his brother (Stephen McNally).[71]

Stewart made eight films for director Anthony Mann. Five of them were Westerns, including The Naked Spur (1953). Other Stewart-Mann westerns, such as Bend of the River (1952), The Naked Spur (1953), The Far Country (1954) and The Man from Laramie (1955), were perennial favorites among young audiences entranced by the American West. Frequently, the films featured Stewart as a troubled cowboy seeking redemption, while facing corrupt cattlemen, ranchers and outlaws—a man who knows violence first hand and struggles to control it. The Stewart-Mann collaborations laid the foundation for many of the westerns of the 1950s and remain popular today for their grittier, more realistic depiction of the classic movie genre. Audiences saw Stewart's screen persona evolve into a more mature, more ambiguous, and edgier presence.[72] Stewart and Mann also collaborated on other films outside the western genre. 1954's The Glenn Miller Story was critically acclaimed, garnering Stewart a BAFTA Award nomination, and (together with The Spirit of St. Louis) cemented the popularity of Stewart's portrayals of 'American heroes'. Thunder Bay, released the same year, transplanted the plot arc of their western collaborations to a more contemporary setting, with Stewart as a Louisiana oil driller facing corruption. Strategic Air Command, released in 1955, allowed Stewart to use his experiences in the United States Air Force on film. Stewart's starring role in Winchester '73 was also a turning point in Hollywood. Universal Studios, who wanted Stewart to appear in both that film and Harvey, balked at his $200,000 asking price. His agent, Lew Wasserman, brokered an alternate deal, in which Stewart would appear in both films for no pay, in exchange for a percentage of the profits as well as cast and director approval.[73] Stewart ended up earning about $600,000 for Winchester '73 alone.[73] Hollywood's other stars quickly capitalized on this new way of doing business, which further undermined the decaying "studio system".[74] The second collaboration to define Stewart's career in the 1950s was with acclaimed mystery and suspense director Alfred Hitchcock. Like Mann, Hitchcock uncovered new depths to Stewart's acting, showing a protagonist confronting his fears and his repressed desires. Stewart's first movie with Hitchcock was the technologically innovative 1948 film Rope, shot in long "real time" takes.[75]

Rear Window (1954) was one of four films Stewart made with Alfred Hitchcock. Stewart became the highest-grossing star of 1954 as a result. The two collaborated for the second of four times on the 1954 hit Rear Window, widely considered one of Hitchcock's masterpieces. Stewart portrays photographer L.B. "Jeff" Jeffries, loosely based on Life photographer Robert Capa, who projects his fantasies and fears onto the people he observes out his apartment window while on hiatus due to a broken leg. Jeffries gets into more than he can handle, however, when he believes he has witnessed a salesman (Raymond Burr) commit a murder, and when his glamorous girlfriend (Grace Kelly), at first disdainful of his voyeurism and skeptical about any crime, eventually is drawn in and tries to help solve the mystery. Limited by his wheelchair, Stewart is led by Hitchcock to react to what his character sees with mostly facial responses. It was a landmark year for Stewart, becoming the highest grossing actor of 1954 and the most popular Hollywood star in the world, displacing John Wayne.[76] Hitchcock and Stewart formed a corporation, Patron Inc., to produce the film, which later became the subject of a Supreme Court case Stewart v. Abend (1990). After starring in Hitchcock's remake of the director's earlier production, The Man Who Knew Too Much (1956), with Doris Day, Stewart starred, with Kim Novak, in what many consider Hitchcock's most personal film, Vertigo (1958).[77] The movie starred Stewart as John "Scottie" Ferguson, a former police investigator suffering from acrophobia, who develops an obsession with a woman he is shadowing. Scottie's obsession inevitably leads to the destruction of everything he once had and believed in. Though the film is widely considered a classic today, Vertigo met with very mixed reviews and poor box-office receipts upon its release, and marked the last collaboration between Stewart and Hitchcock.[78] The director reportedly blamed the film's failure on Stewart looking too old to be Kim Novak's love interest, and cast Cary Grant as Roger Thornhill in North by Northwest (1959), a role Stewart had very much wanted. (Grant was actually four years older than Stewart but photographed much younger.) Today, Vertigo is ranked highest in the 2012 Sight & Sound critics poll for the greatest films ever made, taking the title from veteran favorite Citizen Kane.[79] Career in the 1960s and 1970s[edit]

Anatomy of a Murder (1959) In 1960, Stewart was awarded the New York Film Critics Circle Award for Best Actor and received his fifth and final Academy Award for Best Actor nomination, for his role in the 1959 Otto Preminger film Anatomy of a Murder. The early courtroom drama stars Stewart as Paul Biegler, the lawyer of a hot-tempered soldier (played by Ben Gazzara) who claims temporary insanity after murdering a tavern owner who raped his wife. The film featured a career-making performance by George C. Scott as the prosecutor. The film was considered quite explicit for its time, and it was a box-office success.[80] Stewart's nomination was one of seven for the film (Charlton Heston was the winner with Ben-Hur), and saw his transition into the final decades of his career. It is ranked as one of the best trial films of all time.[81] On January 1, 1960, Stewart received news of the death of Margaret Sullavan (her death was later identified as apparent suicide; the county coroner, however, officially ruled the death an accident).[82] As a friend, mentor, and focus of his early romantic feelings, she had a unique influence on Stewart's life. On April 17, 1961, longtime friend Gary Cooper was too ill to attend the 33rd Academy Awards ceremony, so Stewart accepted the honorary Oscar on his behalf. Stewart's emotional speech hinted that something was seriously wrong, and the next day newspapers ran the headline, "Gary Cooper has cancer." One month later, on May 13, 1961, six days after his 60th birthday, Cooper died. In the early 1960s, Stewart took leading roles in three John Ford films, his first work with the acclaimed director. The first, Two Rode Together, paired him with Richard Widmark in a Western with thematic echoes of Ford's The Searchers. The next, 1962's The Man Who Shot Liberty Valance, Stewart's first picture with John Wayne, is a classic "psychological" western, shot in black and white film noir style featuring powerful use of shadows in the climactic sequence, with Stewart as an Eastern attorney who goes against his non-violent principles when he is forced to confront a psychopathic outlaw (played by Lee Marvin) in a small frontier town. At story's end, Stewart's character — now a rising political figure — faces a difficult ethical choice as he attempts to reconcile his actions with his personal integrity. The film's billing is unusual in that Stewart was given top billing over Wayne in the trailers and on the posters but Wayne was listed above Stewart in the film itself. The complex picture garnered mixed reviews but was an instant hit at the box office and became a critical favorite over the ensuing decades.

How the West Was Won (1962) How the West Was Won (which Ford co-directed, though without directing Stewart's scenes) and Cheyenne Autumn were western epics released in 1962 and 1964 respectively. One of only a handful of movies filmed in true Cinerama, shot with three cameras and exhibited with three simultaneous projectors in theatres, How the West Was Won went on to win three Oscars and reap massive box-office figures. Cheyenne Autumn, in which a white-suited Stewart played Wyatt Earp in a long semi-comedic sequence in the middle of the movie, failed domestically and was quickly forgotten. The historical drama was Ford's final Western and Stewart's last feature film with Ford. Stewart's entertainingly memorable middle sequence is not directly connected with the rest of the film and was often excised from the lengthy film in later theatrical exhibition prints and some television broadcasts. Having played his last romantic lead in Bell, Book and Candle (1958), and silver-haired (although not all was his—he wore a partial hairpiece starting with It's a Wonderful Life and in every film thereafter), Stewart transitioned into more family-related films in the 1960s when he signed a multi-movie deal with 20th Century Fox. These included the successful Henry Koster outing Mr. Hobbs Takes a Vacation (1962), and the less memorable films Take Her, She's Mine (1963) and Dear Brigitte (1965), which featured French model Brigitte Bardot as the object of Stewart's son's mash notes. The Civil War period film Shenandoah (1965) and the western family film The Rare Breed fared better at the box office; the Civil War movie, with strong antiwar and humanitarian themes, was a smash hit in the South.[citation needed]

In 1973 TV series Hawkins. As an aviator, Stewart was particularly interested in aviation films and had pushed to appear in several in the 1950s, including No Highway in the Sky (1951), and most notably Strategic Air Command (1955) and The Spirit of St. Louis (1957). He continued in this vein in the 1960s, most notably in a role as a hard-bitten pilot in The Flight of the Phoenix (1965). Subbing for Stewart, famed stunt pilot and air racer Paul Mantz was killed when he crashed the "Tallmantz Phoenix P-1", the specially made, single-engined movie airplane, in an abortive "touch-and-go". Stewart also narrated the film X-15 in 1961.[83] In 1964, he and several other military aviators, including Curtis LeMay, Paul Tibbets, and Bruce Sundlun were founding directors of the board of Tibbets' Executive Jet Aviation Corporation.[84] After a progression of lesser western films in the late 1960s and early 1970s, Stewart transitioned from cinema to television. In the 1950s he had made guest appearances on the Jack Benny Program. Stewart first starred in the NBC comedy The Jimmy Stewart Show, on which he played a college professor, and was the only time in his career in which he was formally billed in the credits as "Jimmy" instead of "James". He followed it with the CBS mystery Hawkins, in which he played a small town lawyer investigating cases, similar to his character in Anatomy of a Murder. The series garnered Stewart a Golden Globe for Best Actor in a Dramatic TV Series, but failed to gain a wide audience, possibly because it rotated with Shaft, another high-quality series but with a starkly conflicting demographic, and was cancelled after one season. During this time, Stewart periodically appeared on Johnny Carson's The Tonight Show, sharing poems he had written at different times in his life. His poems were later compiled into a short collection, Jimmy Stewart and His Poems (1989).[85] Stewart returned to films after an absence of five years with a major supporting role in John Wayne's final film, The Shootist (1976) where Stewart played a doctor giving Wayne's gunfighter a terminal cancer diagnosis. At one point, both Wayne and Stewart were flubbing their lines repeatedly and Stewart turned to director Don Siegel and said, "You'd better get two better actors." Stewart also appeared in supporting roles in Airport '77, the 1978 remake of The Big Sleep starring Robert Mitchum as Raymond Chandler's Philip Marlowe, and The Magic of Lassie (1978). All three movies received poor reviews, and The Magic of Lassie flopped at the box office. Last years and later career[edit]

Speaking at The Kennedy Center on Inauguration Day, 1981, in Washington D.C. Following the failure of The Magic of Lassie, Stewart went into semi-retirement from acting. He donated his papers, films, and other records to Brigham Young University's Harold B. Lee Library in 1983.[86] Stewart had diversified investments including real estate, oil wells, a charter-plane company and membership on major corporate boards, and he became a multimillionaire. In the 1980s/90s, he did voiceover work for commercials for Campbell's Soups. Stewart's longtime friend Henry Fonda died in 1982, and former co-star and friend Grace Kelly was killed in a car crash shortly afterwards. A few months later, Stewart starred with Bette Davis in Right of Way. He filmed several television movies in the 1980s, including Mr. Krueger's Christmas, which allowed him to fulfill a lifelong dream to conduct the Mormon Tabernacle Choir.[87] He made frequent visits to the Reagan White House and traveled on the lecture circuit. The re-release of his Hitchcock films gained Stewart renewed recognition. Rear Window and Vertigo were particularly praised by film critics, which helped bring these pictures to the attention of younger movie-goers. He was presented an Academy Honorary Award by Cary Grant in 1985, "for his 50 years of memorable performances, for his high ideals both on and off the screen, with respect and affection of his colleagues."[63] In 1988, Stewart made an impassioned plea in Congressional hearings, along with, among many others, Burt Lancaster, Katharine Hepburn, Ginger Rogers, and film director Martin Scorsese, against Ted Turner's decision to 'colorize' classic black and white films, including It's a Wonderful Life. Stewart stated, "the coloring of black-and-white films is wrong. It's morally and artistically wrong and these profiteers should leave our film industry alone".[88] In 1989, Stewart founded the American Spirit Foundation to apply entertainment industry resources to developing innovative approaches to public education and to assist the emerging democracy movements in the former Iron Curtain countries. Peter F. Paul arranged for Stewart, through the offices of President Boris Yeltsin, to send a special print of It's a Wonderful Life, translated by Lomonosov Moscow State University, to Russia as the first American program ever to be broadcast on Russian television. On January 5, 1992, coinciding with the first day of the existence of the democratic Commonwealth of Independent States and Russia, and the first free Russian Orthodox Christmas Day, Russian TV Channel 2 broadcast It's a Wonderful Life to 200 million Russians who celebrated an American holiday tradition with the American people for the first time in Russian history.[89] In association with politicians and celebrities such as President Ronald Reagan, Supreme Court Chief Justice Warren Burger, California Governor George Deukmejian, Bob Hope and Charlton Heston, Stewart worked from 1987 to 1993 on projects that enhanced the public appreciation and understanding of the U.S. Constitution and Bill of Rights.[89] In 1991, James Stewart voiced the character of Sheriff Wylie Burp in the movie An American Tail: Fievel Goes West, which was his last film role. Shortly before his 80th birthday, he was asked how he wanted to be remembered. "As someone who 'believed in hard work and love of country, love of family and love of community.'"[63] Personal life[edit]

Stewart was almost universally described by his collaborators as a kind, soft-spoken man and a true professional.[90] Joan Crawford praised the actor as an "endearing perfectionist" with "a droll sense of humor and a shy way of watching you to see if you react to that humor."[63]

Stewart was married to wife Gloria from 1949 to her death in 1994 When Henry Fonda moved to Hollywood in 1934, he was again a roommate with Stewart in an apartment in Brentwood,[91] and the two gained reputations as playboys.[92] Both men's children later noted that their favorite activity when not working seemed to be quietly sharing time together while building and painting model airplanes, a hobby they had taken up in New York, years earlier.[93] After World War II, Stewart settled down, at age 41, marrying former model Gloria Hatrick McLean (March 10, 1918 – February 16, 1994) on August 9, 1949. As Stewart loved to recount in self-mockery, "I, I, I pitched the big question to her last night and to my surprise she, she, she said yes!"[94] Stewart adopted her two sons, Michael and Ronald, and with Gloria he had twin daughters, Judy and Kelly, on May 7, 1951. The couple remained married until her death from lung cancer on February 16, 1994, at the age of 75. Ronald McLean was killed in action in Vietnam on June 8, 1969, at the age of 24, while serving as a lieutenant in the Marine Corps.[95][96] Daughter Kelly Stewart is an anthropologist.[97] Stewart was active in philanthropic affairs over the years. His signature charity event, "The Jimmy Stewart Relay Marathon Race", held each year since 1982, has raised millions of dollars for the Child and Family Development Center at St. John's Health Center in Santa Monica, California.[9] He was a lifelong supporter of Scouting, having been a Second Class Scout when he was a youth, an adult Scout leader, and a recipient of the prestigious Silver Buffalo Award from the Boy Scouts of America (BSA). In later years, he made advertisements for the BSA, which led to his being sometimes incorrectly identified as an Eagle Scout.[98] An award for Boy Scouts, "The James M. Stewart Good Citizenship Award" has been presented since May 17, 2003.[99] Stewart was a Life Member of the Sons of the Revolution in the State of California.[100] One of Stewart's lesser-known talents was his homespun poetry. He once read a poem that he had written about his dog, entitled "Beau", while on The Tonight Show Starring Johnny Carson. By the end of this reading, Carson's eyes were welling with tears.[101] This was later parodied on a late 1980s episode of the NBC sketch show Saturday Night Live, with Dana Carvey as Stewart reciting the poem on Weekend Update and bringing anchor Dennis Miller to tears. He was also an avid gardener. Stewart purchased the house next door to his own home at 918 North Roxbury Drive, razed the house, and installed his garden in the lot.[102] Politics[edit] Stewart was a staunch supporter of the Republican Party[103] and actively campaigned for Richard Nixon and Ronald Reagan. He was a hawk on the Vietnam War, and maintained that his adopted son, Ronald, did not die in vain. Stewart actively supported Reagan's bid to win the Republican presidential nomination in 1976. Following the assassination of Senator Robert F. Kennedy in 1968, Stewart, Charlton Heston, Kirk Douglas and Gregory Peck issued a statement calling for support of President Johnson's Gun Control Act of 1968. One of his best friends was fellow actor Henry Fonda, despite the fact that the two had very different political ideologies. A political argument in 1947 resulted in a fistfight, but they maintained their friendship by never discussing politics again.[104] This tale may be apocryphal as Jhan Robbins quotes Stewart as saying: "Our views never interfered with our feelings for each other, we just didn't talk about certain things. I can't remember ever having an argument with him — ever!" However, Jane Fonda told Donald Dewey for his 1996 biography of Stewart that her father did have a falling out with Stewart at that time, although she did not know whether it was because of their political differences. There is a brief reference to their political differences in character in their movie The Cheyenne Social Club.[105] In the last years of his life, he donated to the campaign of Bob Dole in the 1996 presidential election and to Democratic Florida governor Bob Graham in his successful run for the Senate.[103]

In Frank Borzage's The Mortal Storm Death[edit]

Jimmy Stewart's grave In December 1996, Stewart was due to have the battery in his pacemaker changed, but opted not to, preferring to let things happen naturally. In February 1997, Stewart was hospitalized for an irregular heartbeat and a blood clot in his right knee. Surrounded by his children on July 2, 1997, Stewart died at the age of 89 at his home in Beverly Hills, California, with his final words to his family being "I'm going to be with Gloria now!"[106] The Associated Press reported a blood clot on his lung as the cause of death. President Bill Clinton commented that America had lost a "national treasure ... a great actor, a gentleman and a patriot."[63] Robert Mitchum had died the day before. Over 3,000 mourners, mostly celebrities, attended Stewart's memorial service, which included a private 21-gun salute for his service in the Army Air Forces.[107] Stewart is interred at Forest Lawn Memorial Park Cemetery in Glendale, California. Filmography[edit]

Main article: James Stewart filmography From the beginning of Stewart's film career in 1935, through his final theatrical project in 1991, he appeared in 92 films, television programs and shorts. Five of his movies were included on the American Film Institute's list of the 100 greatest American films: Mr. Smith Goes to Washington, The Philadelphia Story, It's a Wonderful Life, Rear Window and Vertigo. His roles in Mr. Smith Goes to Washington, The Philadelphia Story, It's a Wonderful Life, Harvey, and Anatomy of a Murder earned him Academy Award nominations—with one win for The Philadelphia Story. Broadway performances[edit]

Carry Nation (October–November 1932) Goodbye Again (December 1932 – July 1933) Spring in Autumn (October–November 1933) All Good Americans (December 1933 – January 1934) Yellow Jack (May 1934) Divided By Three (October 1934) Page Miss Glory (November 1934 – March 1935) A Journey By Night (April 1935) Harvey (July–August 1947, July–August 1948, replacing vacationing Frank Fay, who created the role on Broadway) Harvey (revival, February–May 1970) Legacy[edit]

1934 portrait Throughout his seven decades in Hollywood, Stewart cultivated a versatile career and recognized screen image in such classics as Mr. Smith Goes to Washington, The Mortal Storm, The Philadelphia Story, Harvey, It's a Wonderful Life, Shenandoah, Rear Window, Rope, The Man Who Knew Too Much, The Shop Around the Corner, The Man Who Shot Liberty Valance and Vertigo. He is the most represented leading actor on the AFI's 100 Years…100 Movies (10th Anniversary Edition) and AFI's 10 Top 10 lists. He is the most represented leading actor on the 100 Greatest Movies of All Time list presented by Entertainment Weekly. As of 2007, ten of his films have been inducted into the United States National Film Registry. As part of their 100 Years Series, Stewart was named the third greatest screen legend actor in American film history by the AFI in 1999.[1] Stewart left his mark on a wide range of film genres, including westerns, suspense thrillers, family films, biographies, and screwball comedies. He worked for many renowned directors during his career, most notably Frank Capra, George Cukor, Henry Hathaway, Cecil B. DeMille, Ernst Lubitsch, Frank Borzage, George Stevens, Alfred Hitchcock, John Ford, Billy Wilder, Don Siegel, and Anthony Mann. He won many of the industry's highest honors and earned Lifetime Achievement awards from every major film organization, and is often considered to be one of the most influential actors in the history of American cinema.[citation needed] Honors and tributes[edit]

Main article: List of awards and nominations received by James Stewart Stewart was the recipient of many official accolades throughout his life, receiving film industry awards, military and civilian medals, honorary degrees, and memorials and tributes for his contribution to the performing arts, humanitarianism, and military service. The library at Brigham Young University houses his personal papers and movie memorabilia including his Academy Award for Best Actor.[108][109] See also[edit]

List of film collaborations Seal of the US Air Force.svgUnited States Air Force portal References[edit]

Notes[edit] Jump up ^ Although commonly known as "Jimmy" by the media and public, Stewart always used "James". Jump up ^ Stewart later confided that he had a 'friend' operating the weight scales.[32] Jump up ^ Stewart, who had taken the required ground school courses as an enlisted man, likely was rated under the newly established service pilot program for civilian pilots, although that program was restricted to noncombat flying. However with his unusual circumstances, and as one of the first to be so rated, he was awarded a standard pilot rating.[35] Jump up ^ Walter E. "Pop" Arnold became commander of the 485th Bombardment Group in September 1943 and his B-24 was shot down over eastern Germany on August 27, 1944, making him a prisoner of war.[43] Jump up ^ While leading the 445th on this date, Stewart made a decision in combat to not break formation from another group that had made an error in navigation. The other group lost four bombers in a subsequent interception, but Stewart's decision possibly saved it from annihilation and incurred considerable damage to his own 48 aircraft. His decision resulted in a letter of commendation and promotion to major on January 20, 1944. Sy Bartlett and Beirne Lay used the episode in their novel 12 O'Clock High.[40][44][45] Jump up ^ Although Stewart was always Capra's first choice, in an interview later in life, he conceded that "Henry Fonda was in the running."[59] Citations[edit] ^ Jump up to: a b "AFI's 100 YEARS ... 100 STARS." American Film Institute (Afi.com), June 16, 1999. Retrieved: June 22, 2013. Jump up ^ http://articles.orlandosentinel.com/1997-07-06/entertainment/970703... Jump up ^ "James Stewart profile." FilmReference.com. Retrieved: January 11, 2011. Jump up ^ "Ancestry of Jimmy Stewart." genealogy.about.com. Retrieved: October 28, 2012. Jump up ^ "Movies: Best Pictures." The New York Times. Retrieved: March 7, 2012. Jump up ^ "Jimmy Stewart profile." adherents.com. Retrieved: March 7, 2012. ^ Jump up to: a b Eliot 2006, p. 11-12 Jump up ^ Eliot 2006, p. 15. ^ Jump up to: a b c d e f "Biography." The Jimmy Stewart Museum. Retrieved: January 11, 2011. Jump up ^ Eliot 2006, p. 31. Jump up ^ Berg, A. Scott (1999). Lindbergh. New York, NY: Berkley/Penguin. p. 121. ISBN 978-0-425-17041-0. Jump up ^ "Princeton Triangle Club." princeton.edu. Retrieved: January 11, 2011. Jump up ^ Eliot 2006, p. 43. Jump up ^ Houghton 1951, pp. 300–310. Jump up ^ Fonda and Teichmann 1981, p. 74. Jump up ^ Eliot 2006, p. 57. Jump up ^ Eliot 2006, p. 58. Jump up ^ Eliot 2006, p. 65. Jump up ^ Eliot 2006, p. 74. Jump up ^ Eliot 2006, pp. 84, 87. ^ Jump up to: a b Eliot 2006, p. 105. Jump up ^ Eliot 2006, p. 139. Jump up ^ Jones, McClure and Twomey 1970, p. 67. Jump up ^ Eliot 2006, p. 112. Jump up ^ Eliot 2006, p. 144. Jump up ^ Eliot 2006, p. 167. Jump up ^ Eliot 2006, p. 168. Jump up ^ Smith 2005, pp. 25–26. Jump up ^ "Brigadier General James Stewart." National Museum of the United States Air Force. Retrieved: November 2, 2011. Jump up ^ Smith 2005, p. 26. Jump up ^ "Thunderbird Field." airfields-freeman.com. Retrieved: November 2, 2011. ^ Jump up to: a b Smith 2005, p. 30. Jump up ^ "Stewart's profile." IMDb. Retrieved: November 2, 2011. ^ Jump up to: a b c d "Brigadier General James Stewart." Something About Everything Military. Retrieved: September 7, 2008. ^ Jump up to: a b c McGowan, Sam. "From Private to Colonel." WWII History, Volume 11, July 2012, p. 42. Jump up ^ Smith 2005, pp. 31–32. Jump up ^ Eliot 2006, p. 181. Jump up ^ Biederman, Patricia Ward. "Winning the war, one frame at a time." Los Angeles Times, October 30, 2002. Retrieved: September 7, 2008. Jump up ^ Smith 2005, p. 31. ^ Jump up to: a b c d e f Smith 2005, p. 273. Jump up ^ Smith 2005, pp. 49–50. Jump up ^ McGowan "From Private to Colonel", p. 43. Jump up ^ 485th Bomb Group Association ^ Jump up to: a b c McGowan "From Private to Colonel", p. 44. Jump up ^ Bowman 1979, p. 26. Jump up ^ McGowan "From Private to Colonel", p. 45. Jump up ^ McGowan "From Private to Colonel", pp. 45–46. Jump up ^ McGowan "From Private to Colonel", pp. 46–47. Jump up ^ McGowan "From Private to Colonel", p. 47. Jump up ^ Maurer 1983, p. 375. Jump up ^ Helmreich, Dr. Jonathan E. "The Bombing of Zurich." Maxwell Air Force Base. Retrieved: March 28, 2010. Jump up ^ "FBI Award." FBI. Retrieved: March 7, 2012. Jump up ^ Smith 2005, p. 60. Jump up ^ "Stewart profile." togetherweserved.com. Retrieved: March 7, 2012. Jump up ^ "Awards." Military Times Hall of Valor. Retrieved: March 7, 2012. Jump up ^ Eliot 2006, p. 196. Jump up ^ Eliot 2006, p. 199. Jump up ^ Eliot 2006, p. 197. ^ Jump up to: a b Cox 2005, p. 6. Jump up ^ Eliot 2006, p. 203. Jump up ^ Cox 2005, p. 70. Jump up ^ Eliot 2006, p. 209. ^ Jump up to: a b c d e "Obituary: James Stewart, the hesitant hero, dies at 89." The New York Times, July 3, 1997. Jump up ^ Eliot 2006, p. 211. Jump up ^ Eliot 2006, pp. 208, 211. ^ Jump up to: a b Eliot 2006, p. 214. Jump up ^ Eliot 2006, pp. 208, 213. Jump up ^ Eliot 2006, p. 237. Jump up ^ "James Stewart's Horse." Wild West net. Retrieved: March 13, 2010. Jump up ^ "James Stewart profile." Film Reference.com. Retrieved: March 13, 2010. ^ Jump up to: a b Eliot 2006, p. 248. Jump up ^ Eliot 2006, p. 251. ^ Jump up to: a b Eliot 2006, p. 245. Jump up ^ Eliot 2006, p. 254. Jump up ^ Eliot 2006, p. 220. Jump up ^ Eliot 2006, p. 278. Jump up ^ Eliot 2006, p. 310. Jump up ^ Eliot 2006, p. 321. Jump up ^ "Vertigo is named 'greatest film of all time'." BBC News, August 2, 2012. Retrieved: September 22, 2013. Jump up ^ Eliot 2006, p. 332. Jump up ^ Verone, Patric M. "The 12 Best Trial Movies." ABA Journal. November 1989 reprinted in Nebraska Law Journal. Jump up ^ Eliot 2006, p. 337. Jump up ^ "X-15 (film) Full credits." IMDb. Retrieved: March 7, 2012. Jump up ^ "Paul Tibbets: A Rendezvous With History, Part 3." Airport Journals, June 2003. Jump up ^ Krier, Beth Ann. "The muse within Jimmy Stewart." Los Angeles Times, September 10, 1989. Jump up ^ Giles, Aly. "Memories of Stewart Live at Y." The Daily Universe, May 22, 2008. Jump up ^ "Utah-Hollywood connection runs deep." Deseret News, January 26, 2009, p. B2. Jump up ^ Eliot 2006, p. 405. ^ Jump up to: a b "James Stewart profile." IMDb. Retrieved: March 7, 2012. Jump up ^ Eliot 2006, pp. 164–68. Jump up ^ Fonda and Teichmann 1981, p. 106. Jump up ^ Fonda and Teichmann 1981, pp. 107–08 Jump up ^ Fonda and Teichmann 1981, p. 97. Jump up ^ Eliot 2006, p. 239. Jump up ^ "Gloria Stewart obituary." The New York Times, February 18, 1994. Jump up ^ "1LT Ronald Walsh McLean." VirtualWall.org. REtrieved: June 27, 2013. Jump up ^ "Kelly Stewart." anthro.ucdavis.edu. Retrieved: March 7, 2012. Jump up ^ Lawson, Terry C. Erroneous Eagle Scouts Letter. Eagle Scout Service, National Eagle Scout Association, Boy Scouts of America (2005). Retrieved: June 9, 2005. Jump up ^ "James M. Stewart Good Citizenship Award," jimmy.org. Retrieved: March 7, 2012. Jump up ^ "It's a Wonderful Life for a fellow member!!" srcalifornia.com, Fall 1995. Retrieved: August 2, 2012. Jump up ^ McMahon, Ed. "Ed McMahon says farewell to Johnny Carson." MSNBC, September 12, 2006, p. 3. Jump up ^ Nichols, Mary E. "JAMES STEWART: The Star of It’s a Wonderful Life and The Philadelphia Story in Beverly Hills." Architectural Digest. Retrieved: September 22, 2013. ^ Jump up to: a b "Political Donations." newsmeat.com. Retrieved: March 7, 2012. Jump up ^ Robbins 1985, p. 99. Jump up ^ The Cheyenne Social Club at the Internet Movie Database Jump up ^ http://classiccinemagold.com/category/james-stewart/ Jump up ^ "James Stewart Biography". The Biography Channel. Retrieved: September 22, 2013. Jump up ^ http://www.deseretnews.com/article/570301/Jimmy-Stewart.html Jump up ^ http://www.deseretnews.com/article/570267/BYU-ready-to-expand-its-S... Bibliography[edit] Beaver, Jim. "James Stewart." Films in Review, October 1980. Bowman, Martin (1979). B-24 Liberator 1939–1945, London: Patrick Stephens Ltd. ISBN 1-85260-073-X Coe, Jonathan. James Stewart: Leading Man. London: Bloomsbury, 1994. ISBN 0-7475-1574-3. Collins, Thomas W. Jr. "Stewart, James." American National Biography Online. "Stewart, James." Retrieved: February 18, 2007. Cox, Stephen. It's a Wonderful Life: A Memory Book. Nashville, Tennessee: Cumberland House, 2003. ISBN 1-58182-337-1. Eliot, Mark. Jimmy Stewart: A Biography. New York: Random House, 2006. ISBN 1-4000-5221-1. The Jimmy Stewart Museum Home Page. The Jimmy Stewart Museum Home Page, Access date: February 18, 2007. Fonda, Henry as told to Howard Teichmann. Fonda: My Life. New York: A Signet Book, New American Library, 1981. ISBN 0-451-11858-8. Houghton, Norris. But Not Forgotten: The Adventure of the University Players. New York: William Sloane Associates, 1951. Jackson, Kenneth T., Karen Markoe and Arnie Markoe. The Scribner Encyclopedia of American Lives (5). New York: Simon and Schuster, 1998. ISBN 0-684-80663-0. Jones, Ken D., Arthur F. McClure and Alfred E. Twomey. The Films of James Stewart. New York: Castle Books, 1970. Maurer, Maurer (1983). Air Force Combat Units of World War II. Washington, D.C.: Office of Air Force History. ISBN 0-912799-02-1 McGowan, Helene. James Stewart. London: Bison Group, 1992, ISBN 0-86124-925-9. McGowan, Sam. "From Private to Colonel." WWII History, Volume 11, July 2012, pp. 40–47. Pickard, Roy. Jimmy Stewart: A Life in Film. New York: St. Martin's Press, 1992. ISBN 0-312-08828-0. Prendergast, Tom and Sara, eds. "Stewart, James". International Dictionary of Films and Filmmakers, 4th edition. London: St. James Press, 2000. ISBN 1-55862-450-3. Prendergast, Tom and Sara, eds. "Stewart, James". St. James Encyclopedia of Popular Culture, 5th edition. London: St. James Press, 2000. ISBN 1-55862-529-1. Robbins, Jhan. Everybody's Man: A Biography of Jimmy Stewart. New York: G.P. Putnam's Sons, 1985. ISBN 0-399-12973-1. Smith, Starr. Jimmy Stewart: Bomber Pilot. St. Paul, Minnesota: Zenith Press, 2005. ISBN 0-7603-2199-X. Thomas, Tony. A Wonderful Life: The Films and Career of James Stewart. Secaucus, New Jersey: Citadel Press, 1988. ISBN 0-8065-1081-1. Wayne, Jane Ellen.The Leading Men of MGM. New York: Carroll & Graf Publishers, 2004. ISBN 0-7867-1475-1. Wright, Stuart J. An Emotional Gauntlet: From Life in Peacetime America to the War in European Skies—A History of 453rd Bomb Group Crews. Milwaukee, Wisconsin: University of Wisconsin Press, 2004. ISBN 0-299-20520-7. External links[edit]

This section's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (May 2012) Wikimedia Commons has media related to James Stewart. Wikiquote has a collection of quotations related to: Jimmy Stewart James Stewart at the Internet Broadway Database James Stewart at the Internet Movie Database Jimmy Stewart at the TCM Movie Database The American Spirit Foundation Feaster, Felicia. James Stewart Profile at Turner Classic Movies Kronenberg, Harold. "Flying with Jimmy Stewart" Obituary: "James Stewart, the Hesitant Hero, Dies at 89," The New York Times (July 3, 1997) "Princeton to Honor Famed Alumnus Jimmy Stewart '32 With Tribute and Theater Dedication", Princeton University (1997) Centennial Tribute to James Stewart Brig. Gen. James M. Stewart at the National Museum of the United States Air Force A Kennedy Center Honors: James Stewart "Entertainment Weekly's 100 Greatest Movies of All Time" "Mr. Stewart Goes to Vietnam", article from Vietnam magazine about Stewart's B-52 mission in 1966 Images: Stewart Pictures. Telecommunication & Film Department, University of Alabama Images: "Col. James M. Stewart stands with his father outside of the family's hardware store", Life Magazine (1945) A Wonderful Life: Jimmy Stewart, Actor and B-24 Bomber Pilot James Stewart in the 1910 US Census, 1920 US Census, 1930 US Census, and the Social Security Death Index. Photos of Jimmy Stewart in 'Pot O Gold' by Ned Scott [hide] Awards for James Stewart [hide] v t e Academy Award for Best Actor 1928–1940 Emil Jannings (1928) Warner Baxter (1929) George Arliss (1930) Lionel Barrymore (1931) Fredric March / Wallace Beery (1932) Charles Laughton (1933) Clark Gable (1934) Victor McLaglen (1935) Paul Muni (1936) Spencer Tracy (1937) Spencer Tracy (1938) Robert Donat (1939) James Stewart (1940) 1941–1960 Gary Cooper (1941) James Cagney (1942) Paul Lukas (1943) Bing Crosby (1944) Ray Milland (1945) Fredric March (1946) Ronald Colman (1947) Laurence Olivier (1948) Broderick Crawford (1949) José Ferrer (1950) Humphrey Bogart (1951) Gary Cooper (1952) William Holden (1953) Marlon Brando (1954) Ernest Borgnine (1955) Yul Brynner (1956) Alec Guinness (1957) David Niven (1958) Charlton Heston (1959) Burt Lancaster (1960) 1961–1980 Maximilian Schell (1961) Gregory Peck (1962) Sidney Poitier (1963) Rex Harrison (1964) Lee Marvin (1965) Paul Scofield (1966) Rod Steiger (1967) Cliff Robertson (1968) John Wayne (1969) George C. Scott (1970) Gene Hackman (1971) Marlon Brando (1972) Jack Lemmon (1973) Art Carney (1974) Jack Nicholson (1975) Peter Finch (1976) Richard Dreyfuss (1977) Jon Voight (1978) Dustin Hoffman (1979) Robert De Niro (1980) 1981–2000 Henry Fonda (1981) Ben Kingsley (1982) Robert Duvall (1983) F. Murray Abraham (1984) William Hurt (1985) Paul Newman (1986) Michael Douglas (1987) Dustin Hoffman (1988) Daniel Day-Lewis (1989) Jeremy Irons (1990) Anthony Hopkins (1991) Al Pacino (1992) Tom Hanks (1993) Tom Hanks (1994) Nicolas Cage (1995) Geoffrey Rush (1996) Jack Nicholson (1997) Roberto Benigni (1998) Kevin Spacey (1999) Russell Crowe (2000) 2001–present Denzel Washington (2001) Adrien Brody (2002) Sean Penn (2003) Jamie Foxx (2004) Philip Seymour Hoffman (2005) Forest Whitaker (2006) Daniel Day-Lewis (2007) Sean Penn (2008) Jeff Bridges (2009) Colin Firth (2010) Jean Dujardin (2011) Daniel Day-Lewis (2012) [hide] v t e Golden Globe Award for Best Actor – Television Series Drama (1969–1989) Mike Connors (1969) Peter Graves (1970) Robert Young (1971) Peter Falk (1972) James Stewart (1973) Telly Savalas (1974) Robert Blake/Telly Savalas (1975) Richard Jordan (1976) Edward Asner (1977) Michael Moriarty (1978) Edward Asner (1979) Richard Chamberlain (1980) Daniel J. Travanti (1981) John Forsythe (1982) John Forsythe (1983) Tom Selleck (1984) Don Johnson (1985) Edward Woodward (1986) Richard Kiley (1987) Ron Perlman (1988) Ken Wahl (1989) Complete list (1969–1989) (1990–2009) (2010–2029) [hide] v t e Cecil B. DeMille Award (1952–1975) Cecil B. DeMille (1952) Walt Disney (1953) Darryl F. Zanuck (1954) Jean Hersholt (1955) Jack Warner (1956) Mervyn LeRoy (1957) Buddy Adler (1958) Maurice Chevalier (1959) Bing Crosby (1960) Fred Astaire (1961) Judy Garland (1962) Bob Hope (1963) Joseph E. Levine (1964) James Stewart (1965) John Wayne (1966) Charlton Heston (1967) Kirk Douglas (1968) Gregory Peck (1969) Joan Crawford (1970) Frank Sinatra (1971) Alfred Hitchcock (1972) Samuel Goldwyn (1973) Bette Davis (1974) Hal B. Wallis (1975) Complete list (1952–1975) (1976–2000) (2001–2020) [hide] v t e Kennedy Center Honorees (1980s) 1980 Leonard Bernstein James Cagney Agnes de Mille Lynn Fontanne Leontyne Price 1981 Count Basie Cary Grant Helen Hayes Jerome Robbins Rudolf Serkin 1982 George Abbott Lillian Gish Benny Goodman Gene Kelly Eugene Ormandy 1983 Katherine Dunham Elia Kazan Frank Sinatra James Stewart Virgil Thomson 1984 Lena Horne Danny Kaye Gian Carlo Menotti Arthur Miller Isaac Stern 1985 Merce Cunningham Irene Dunne Bob Hope Alan Jay Lerner & Frederick Loewe Beverly Sills 1986 Lucille Ball Hume Cronyn & Jessica Tandy Yehudi Menuhin Antony Tudor Ray Charles 1987 Perry Como Bette Davis Sammy Davis, Jr. Nathan Milstein Alwin Nikolais 1988 Alvin Ailey George Burns Myrna Loy Alexander Schneider Roger L. Stevens 1989 Harry Belafonte Claudette Colbert Alexandra Danilova Mary Martin William Schuman Complete list 1970s 1980s 1990s 2000s 2010s [hide] v t e National Football Foundation Distinguished American Award recipients 1966: Carpenter 1969: MacLeish 1970: Lombardi 1971: Boyden 1972: Holland 1973: No award 1974: Hope 1975: Hesburgh 1976: Van Fleet 1977: Joyce 1978: No award 1979: Galbreath 1980: Russell 1981: Werblin 1982: Silver Anniversary (all honored) – Brown, Davis, Kemp, Ron Kramer, Swink 1983: Hess & Stewart 1984: Nelson 1985: Flynn 1986: Toner 1987: Sewell 1988: Rodgers 1989: Krause 1990: Rozelle 1991: Paterno 1992: Mara 1993: Kazmaier 1994: Bolden 1995: Osborne 1996: Monan, S.J 1997: No award 1998: Roy Kramer 1999: No award 2000: Decio 2001: Frank 2002: Young 2003: Khayat 2004: Casciola 2005: Page 2006: Tillman 2007: Bleier 2008: Pickens 2009: Payne 2010: Brokaw 2011: Roberts 2012: Bodenheimer 2013: Odierno [hide] v t e AFI Life Achievement Award John Ford (1973) James Cagney (1974) Orson Welles (1975) William Wyler (1976) Bette Davis (1977) Henry Fonda (1978) Alfred Hitchcock (1979) James Stewart (1980) Fred Astaire (1981) Frank Capra (1982) John Huston (1983) Lillian Gish (1984) Gene Kelly (1985) Billy Wilder (1986) Barbara Stanwyck (1987) Jack Lemmon (1988) Gregory Peck (1989) David Lean (1990) Kirk Douglas (1991) Sidney Poitier (1992) Elizabeth Taylor (1993) Jack Nicholson (1994) Steven Spielberg (1995) Clint Eastwood (1996) Martin Scorsese (1997) Robert Wise (1998) Dustin Hoffman (1999) Harrison Ford (2000) Barbra Streisand (2001) Tom Hanks (2002) Robert De Niro (2003) Meryl Streep (2004) George Lucas (2005) Sean Connery (2006) Al Pacino (2007) Warren Beatty (2008) Michael Douglas (2009) Mike Nichols (2010) Morgan Freeman (2011) Shirley MacLaine (2012) Mel Brooks (2013) Jane Fonda (2014) [hide] v t e Film Society of Lincoln Center Gala Tribute Honorees Charlie Chaplin (1972) Fred Astaire (1973) Alfred Hitchcock (1974) Joanne Woodward and Paul Newman (1975) George Cukor (1978) Bob Hope (1979) John Huston (1980) Barbara Stanwyck (1981) Billy Wilder (1982) Laurence Olivier (1983) Claudette Colbert (1984) Federico Fellini (1985) Elizabeth Taylor (1986) Alec Guinness (1987) Yves Montand (1988) Bette Davis (1989) James Stewart (1990) Audrey Hepburn (1991) Gregory Peck (1992) Jack Lemmon (1993) Robert Altman (1994) Shirley MacLaine (1995) Clint Eastwood (1996) Sean Connery (1997) Martin Scorsese (1998) Mike Nichols (1999) Al Pacino (2000) Jane Fonda (2001) Francis Ford Coppola (2002) Susan Sarandon (2003) Michael Caine (2004) Dustin Hoffman (2005) Jessica Lange (2006) Diane Keaton (2007) Meryl Streep (2008) Tom Hanks (2009) Michael Douglas (2010) Sidney Poitier (2011) Catherine Deneuve (2012) Barbra Streisand (2013) [hide] v t e Screen Actors Guild Life Achievement Award 1962: Eddie Cantor 1963: Stan Laurel 1965: Bob Hope 1966: Barbara Stanwyck 1967: William Gargan 1968: James Stewart 1969: Edward G. Robinson 1970: Gregory Peck 1971: Charlton Heston 1972: Frank Sinatra 1973: Martha Raye 1974: Walter Pidgeon 1975: Rosalind Russell 1976: Pearl Bailey 1977: James Cagney 1978: Edgar Bergen 1979: Katharine Hepburn 1980: Leon Ames 1982: Danny Kaye 1983: Ralph Bellamy 1984: Iggie Wolfington 1985: Paul Newman and Joanne Woodward 1986: Nanette Fabray 1987: Red Skelton 1988: Gene Kelly 1989: Jack Lemmon 1990: Brock Peters 1991: Burt Lancaster 1992: Audrey Hepburn 1993: Ricardo Montalbán 1994: George Burns 1995: Robert Redford 1996: Angela Lansbury 1997: Elizabeth Taylor 1998: Kirk Douglas 1999: Sidney Poitier 2000: Ossie Davis and Ruby Dee 2001: Edward Asner 2002: Clint Eastwood 2003: Karl Malden 2004: James Garner 2005: Shirley Temple 2006: Julie Andrews 2007: Charles Durning 2008: James Earl Jones 2009: Betty White 2010: Ernest Borgnine 2011: Mary Tyler Moore 2012: Dick Van Dyke 2013: Rita Moreno [hide] v t e Hosts of the Academy Awards ceremonies 1927–1940 Douglas Fairbanks / William C. deMille (1929) William C. deMille (1930) Conrad Nagel (1930) Lawrence Grant (1931) Lionel Barrymore / Conrad Nagel (1932) Will Rogers (1934) Irvin S. Cobb (1935) Frank Capra (1936) George Jessel (1937) Bob Burns (1938) None (1939) Bob Hope (1940) 1941–1960 Bob Hope (1941) None (1942) Bob Hope (1943) Jack Benny (1944) Bob Hope / John Cromwell (1945) Bob Hope / James Stewart (1946) Jack Benny (1947) Dick Powell / Agnes Moorehead (1948) Robert Montgomery (1949) Paul Douglas (1950) Fred Astaire (1951) Danny Kaye (1952) Bob Hope / Conrad Nagel (1953) Donald O'Connor / Fredric March (1954) Bob Hope / Thelma Ritter (1955) Jerry Lewis / Claudette Colbert / Joseph L. Mankiewicz (1956) Jerry Lewis / Celeste Holm (1957) Bob Hope / David Niven / James Stewart / Jack Lemmon / Rosalind Russell (1958) Bob Hope / David Niven / Tony Randall / Mort Sahl / Laurence Olivier / Jerry Lewis (1959) Bob Hope (1960) 1961–1980 Bob Hope (1961) Bob Hope (1962) Frank Sinatra (1963) Jack Lemmon (1964) Bob Hope (1965) Bob Hope (1966) Bob Hope (1967) Bob Hope (1968) None (1969) None (1970) None (1971) Helen Hayes / Alan King / Sammy Davis, Jr. / Jack Lemmon (1972) Carol Burnett / Michael Caine / Charlton Heston / Rock Hudson (1973) John Huston / Burt Reynolds / David Niven / Diana Ross (1974) Sammy Davis, Jr. / Bob Hope / Shirley MacLaine / Frank Sinatra (1975) Goldie Hawn / Gene Kelly / Walter Matthau / George Segal / Robert Shaw (1976) Warren Beatty / Ellen Burstyn / Jane Fonda / Richard Pryor (1977) Bob Hope (1978) Johnny Carson (1979) Johnny Carson (1980) 1981–2000 Johnny Carson (1981) Johnny Carson (1982) Liza Minnelli / Dudley Moore / Richard Pryor / Walter Matthau (1983) Johnny Carson (1984) Jack Lemmon (1985) Alan Alda / Jane Fonda / Robin Williams (1986) Chevy Chase / Goldie Hawn / Paul Hogan (1987) Chevy Chase (1988) None (1989) Billy Crystal (1990) Billy Crystal (1991) Billy Crystal (1992) Billy Crystal (1993) Whoopi Goldberg (1994) David Letterman (1995) Whoopi Goldberg (1996) Billy Crystal (1997) Billy Crystal (1998) Whoopi Goldberg (1999) Billy Crystal (2000) 2001–present Steve Martin (2001) Whoopi Goldberg (2002) Steve Martin (2003) Billy Crystal (2004) Chris Rock (2005) Jon Stewart (2006) Ellen DeGeneres (2007) Jon Stewart (2008) Hugh Jackman (2009) Alec Baldwin / Steve Martin (2010) James Franco / Anne Hathaway (2011) Billy Crystal (2012) Seth MacFarlane (2013) Ellen DeGeneres (2014) Authority control WorldCat VIAF: 116340765 LCCN: n84018652 ISNI: 0000 0001 2103 9797 GND: 118618059 BNF: cb12227146g (data) [hide] v t e Indiana in Indiana County, Pennsylvania Attractions Downtown Indiana Historic District Breezedale Buffalo, Rochester & Pittsburgh Railway Indiana Passenger Station Silas M. Clark House Graff's Market James Mitchell House Old Indiana County Courthouse Indiana Borough 1912 Municipal Building Indiana Armory Old Indiana County Jail and Sheriff's Office John Sutton Hall Transportation Indiana County Transit Authority Roads US 119 US 422 PA 56 PA 286 PA 954 Notable people Edward Abbey James H. Bronson Renée Fleming Jim Nance Michael Ryan James Stewart Steve Wheatcroft Education Indiana University of Pennsylvania Indiana Area School District Industry First Commonwealth Financial Corporation Newspapers Indiana Gazette Radio stations By FM frequency 90.1 92.5 95.5 103.7 105.1 106.3 By AM frequency 1160 1450 By callsign WCCS WDAD WFGI WFSJ-LP WIUP WLCY WMUG-LP WQMU Categories: Indiana County, Pennsylvania1908 births1997 deaths20th-century American male actorsAcademy Honorary Award recipientsAmerican male film actorsAmerican male radio actorsAmerican male stage actorsAmerican military personnel of the Vietnam WarAmerican people of Scottish descentAmerican PresbyteriansBest Actor Academy Award winnersBest Drama Actor Golden Globe (television) winnersBurials at Forest Lawn Memorial Park (Glendale)California RepublicansCecil B. DeMille Award Golden Globe winnersDeaths from pulmonary embolismDisease-related deaths in CaliforniaKennedy Center honoreesMale actors from Beverly Hills, CaliforniaMale actors from PennsylvaniaMale Western (genre) film actorsMercersburg Academy alumniMetro-Goldwyn-Mayer contract playersPennsylvania RepublicansPeople from Indiana, PennsylvaniaPresidential Medal of Freedom recipientsPrinceton University alumniRCA Victor artistsRecipients of the Air MedalRecipients of the Croix de Guerre (France)Recipients of the Distinguished Flying Cross (United States)Recipients of the Distinguished Service Medal (United States)Screen Actors Guild Life Achievement AwardSilver Bear for Best Actor winnersUnited States Air Force generalsUnited States Army Air Forces officersUnited States Army Air Forces pilots of World War IIVolpi Cup winners

Throughout his seven decades in Hollywood, Stewart cultivated a versatile career and recognized screen image in such classics as Mr. Smith Goes to Washington, The Philadelphia Story, Harvey, It's a Wonderful Life, Rear Window, Rope and Vertigo. He is the most represented leading actor on the AFI's 100 Years... 100 Movies (10th Anniversary Edition) and AFI's 10 Top 10 lists. He is also the most represented leading actor on the 100 Greatest Movies of All Time list presented by Entertainment Weekly. As of 2007, 10 of his films have been inducted into the United States National Film Registry.

Stewart left his mark on a wide range of film genres, including screwball comedies, westerns, biographies, suspense thrillers and family films. He worked for a number of renowned directors later in his career, most notably Alfred Hitchcock, John Ford, Billy Wilder, Frank Capra and Anthony Mann. He won many of the industry's highest honors and earned Lifetime Achievement awards from every major film organization. He died in 1997, leaving behind a legacy of classic performances, and is considered one of the finest actors of the "Golden Age of Hollywood." He was named the third Greatest Male Star of All Time by the American Film Institute.

Early life and career

James Maitland Stewart was born on 20 May 1908 in Indiana, Pennsylvania, the son of Elizabeth Ruth (née Jackson) and Alexander Maitland Stewart, who owned a hardware store.[1] Stewart's parents were Presbyterian and of Scottish origin.[2][3] His Jackson ancestors served in the American Revolution, War of 1812 and the Civil War.[4] The eldest of three children (he had two younger sisters, Virginia and Mary), he was expected to continue his father's business, which had been in the family for three generations.

His mother was an excellent pianist but his father discouraged Stewart's request for lessons. But when his father accepted a gift of an accordion from a guest, young Stewart quickly learned to play the instrument, which became a fixture off-stage during his acting career. As the family grew, music continued to be an important part of family life.[5]

Stewart attended Mercersburg Academy prep school, graduating in 1928. At Mercersburg, Stewart was active in a variety of activities. He played on the football team and track team. He was art editor for the KARUX yearbook and member of the choir club, glee club, and John Marshall Literary Society. During his first summer break, Stewart returned to Indiana Pennsylvania to work as a brick loader for a local construction company and on highway and road construction jobs where he painted lines on the roads. Over the following two summers, he took a job as an assistant with a professional magician.[6] He also made his first appearance on the stage at Mercersburg, as Buquet in the play The Wolves.[7]

A shy child, Stewart spent much of his after school time in the basement working on model airplanes, mechanical drawing and chemistry — all with a dream of going into aviation. But he abandoned visions of being a pilot when his father insisted that instead of the Naval Academy he attend Princeton University.

Stewart enrolled at Princeton in 1928 as a member of the Class of 1932. There, he excelled at studying architecture, so impressing his professors with his thesis on an airport design that he was awarded a scholarship for graduate studies,[8] but he gradually became attracted to the school's drama and music clubs, including the famous Princeton Triangle Club.[9] He was a member of the Princeton Charter Club as well as a head cheerleader. In his spare time, he enjoyed going to the movies at the time when "talkies" were just displacing silent films.

His acting and accordion talents at Princeton led him to be invited to the University Players, an intercollegiate summer stock company in West Falmouth a town on Cape Cod, Massachusetts. This company had been organized in 1928 and would run until 1932, with Joshua Logan, Bretaigne Windust, and Charles Leatherbee as the directors. Stewart performed in bit parts in the Players' productions in Cape Cod during the Summer of 1932 after he graduated. The troupe had previously included Henry Fonda, who married Margaret Sullavan on Christmas Day 1931 while the University Players were located in Baltimore for an 18-week winter season.[10] Sullavan, who had rejoined the University Players in Baltimore in November 1931 at the close of the post-Broadway tour of A Modern Virgin, left the Players for good at the end of The Trial of Mary Dugan in Baltimore in March 1932. By the time Stewart joined the University Players on Cape Cod after his graduation from Princeton in 1932, Fonda and Sullavan's brief marriage had ended.[11] Stewart and Fonda became great friends over the summer of 1932 when they shared an apartment with Joshua Logan and Myron McCormick.[12] When he came to New York at the end of the summer stock season, which had included the Broadway try-out of Goodbye Again, he shared an apartment with Henry Fonda, who had by then finalized his divorce from Sullavan. Along with fellow University Players, Alfred Dalrymple and Myron McCormick, Stewart had his Broadway debut as a chauffeur in the comedy Goodbye Again, in which he had two lines. The New Yorker noted, "Mr. James Stewart's chauffeur... comes on for three minutes and walks off to a round of spontaneous applause."[13]

The play was a moderate success but times were hard. Many Broadway theaters had been converted to movie houses and the Depression was reaching bottom. "From 1932 through 1934", Stewart later recalled, "I'd only worked three months. Every play I got into folded."[14] By 1934, he got more substantial stage roles, including the hit, Page Miss Glory, and his first dramatic stage role in Sidney Howard's Yellow Jack, which convinced him to continue his acting career. However, Stewart and Fonda, still roommates, were both struggling.

In the fall of 1934, Fonda's success in The Farmer Takes a Wife took him to Hollywood. Finally, Stewart attracted the interest of MGM scout Bill Grady who saw Stewart on the opening night of Divided by Three, a glittering première with many luminaries in attendance including Irving Berlin and Moss Hart and his buddy Fonda who had returned to New York for the show. With Fonda's encouragement, Stewart agreed to take the screen test and signed a contract with MGM in April 1935, as a contract player for up to seven years at $350 a week.[15]

On his arrival by train to Los Angeles, Fonda greeted Stewart at the station and took him to Fonda's studio-supplied lodging, right next door to Greta Garbo. His first job at the studio was as a participant in the screen tests done for newly arrived starlets. At first, he had trouble being cast in Hollywood films due to his gangling looks and shy, humble screen presence. His first film was the poorly received Spencer Tracy vehicle, The Murder Man, but Rose Marie, an adaptation of a popular operetta, was more successful. After mixed success in films, he received his first substantial part in 1936's After the Thin Man.

On the romantic front, he found himself dating newly-divorced Ginger Rogers, whom he had revered while a student at Princeton only a few years earlier.[16] The romance soon cooled, however, and by chance Stewart encountered Margaret Sullavan again. Stewart found his footing in Hollywood thanks largely to Sullavan who campaigned for Stewart to be her leading man in the 1936 romantic comedy Next Time We Love. She rehearsed extensively with him, having a noticeable effect on his confidence. She encouraged Stewart to feel comfortable with his unique mannerisms and boyish charm and use them naturally as his own style. In the meantime, roommate Fonda continued to arrange parties with starlets, who found Stewart different from the other young actors and irresistible in his own way. Stewart was enjoying Hollywood life and had no regrets about giving up the stage, as he worked six days a week in the MGM factory.[17]In 1936, he acquired big-time agent Leland Hayward, who would eventually marry Margaret Sullavan. Hayward started to chart Stewart's career, deciding the best path for him was through loan-outs to other studios.

Margaret Sullavan and James Stewart in The Shop Around the Corner (1940).

[edit] Pre-war success

In 1938, Stewart had a brief, tumultuous, and well-publicized romance with Hollywood queen Norma Shearer whose husband Irving Thalberg, head of production at MGM, had died two years earlier. Stewart began a successful partnership with director Frank Capra in 1938, when he was loaned out to Columbia Pictures to star in You Can't Take It With You. Frank Capra had been impressed by Stewart's minor role in Navy Blue and Gold (1937). The director had recently completed several popular movies including It Happened One Night and was looking for the right type of actor to suit his needs—which other recent actors in his films such as Clark Gable, Ronald Colman and Gary Cooper did not quite fit. Not only was Stewart just what he was looking for, but Capra also found Stewart understood that prototype intuitively and required very little directing. Later Capra commented, "I think he's probably the best actor who's ever hit the screen."[18]

This heart-warming Depression-era film (You Can't Take It With You), starring Capra's "favorite actress", comedienne Jean Arthur, went on to win the 1938 Best Picture Academy Award. The following year saw Stewart team with Capra and Arthur again for the political comedy-drama Mr. Smith Goes to Washington. Stewart replaced intended star Gary Cooper in the film about an idealistic man thrown into the political arena. Upon the film's October release, it garnered critical praise and became a box office success. For his performance, Stewart was nominated for the first of five Academy Awards for Best Actor. Even after this great success, Stewart's parents were still trying to talk him into leaving Hollywood and its sinful ways and to return to his home town to lead a decent life. Instead, he took a secret trip to Europe to take a break and returned home just as Germany invaded Poland.[18]

Destry Rides Again, also released that year, became Stewart's first western film, a genre for which he would become famous later in his career. In this Western parody, Stewart is a pacifist lawman and Marlene Dietrich the saloon dancing girl who comes to love him, but doesn't get him. In it she sings her famous song The Boys In the Back Room. Off-screen, Dietrich did get her man, but the romance was short-lived.[19] Made for Each Other (1939) had Stewart sharing the screen with irrepressible Carole Lombard in a melodrama that garnered good reviews for both stars, but did less well with the public. Newsweek wrote that they were "perfectly cast in the leading roles."[20] Between movies, Stewart began a radio career and became a distinctive voice on the "Lux Radio Hour," the "Screen Guild Theater" and other radio shows. So well known had his slow drawl become that comedians started to impersonate him, a form of flattery which continued for most of his life.[21]

from the film The Philadelphia Story (1940)In 1940, Stewart and Margaret Sullavan teamed again for two films. The first, the Ernst Lubitsch romantic comedy, The Shop Around the Corner, starred Stewart and Sullavan as co-workers unknowingly involved in a pen-pal romance who cannot stand each other in real life (this was later remade into the romantic comedy You've Got Mail with Tom Hanks and Meg Ryan). It was Stewart's fifth film of the year and that rare film shot in the story's sequence; it was completed in only 27 days.[22] The Mortal Storm, directed by Frank Borzage, was one of the first blatantly anti-Nazi films to be produced in Hollywood and featured the pair as a husband and wife caught in turmoil upon Hitler's rise to power.

Stewart also starred opposite Katharine Hepburn and Cary Grant in George Cukor's classic The Philadelphia Story (1940). His performance as an intrusive, fast-talking reporter earned him his only Academy Award in a competitive category (Best Actor, 1941) and he beat out his good friend Henry Fonda (The Grapes of Wrath). Stewart thought his performance "entertaining and slick and smooth" but lacking the "guts" of "Mr. Smith."[23] Stewart gave the Oscar statuette to his father, who displayed it in a case just inside the front door of his hardware store for many years, alongside other family awards and military medals.

During the months before he began military service, Stewart went on to appear in a series of screwball comedies with varying levels of success. He followed the mediocre No Time for Comedy (1940) and Come Live with Me (1941) with the Judy Garland musical Ziegfeld Girl and the George Marshall romantic comedy Pot o' Gold. Stewart was drafted in late 1940 and it coincided with the lapse in his MGM contract, marking a turning point in Stewart's career, with 28 movies to his credit at that point.[24]

Military service

Brig. Gen. James Maitland Stewart

United States Air Force

James M. Stewart

Allegiance United States of America

Service/branch United States Air Force Reserve

United States Army Air Corps 

Years of service 1941–1968

Rank Brigadier General

Battles/wars World War II

Vietnam War

Awards Distinguished Service Medal

Distinguished Flying Cross (2)

Air Medal (4)

Army Commendation Medal

Armed Forces Reserve Medal

Presidential Medal of Freedom

French Croix de Guerre with Palm

The Stewart family had deep military roots as both grandfathers had fought in the Civil War, and his father had served during both the Spanish-American War and World War I. Since Stewart considered his father to be the biggest influence on his life, it was not surprising that when another war eventually came, he too served. Unlike his family's previous infantry service, Stewart chose to become a military flyer.[25]

An early interest in flying led Stewart to gain his Private Pilot License in 1935 and Commercial Pilot Certificate in 1938. He often flew cross country to visit his parents in Pennsylvania, navigating by the railroad tracks.[26] Nearly two years before the December 1941 attack on Pearl Harbor, Stewart had accumulated over 400 hours of flying time.[27]

Considered a highly proficient pilot, he even entered a cross-country race as a co-pilot in 1939.[28] Along with musician/composer Hoagy Carmichael, seeing the need for trained war pilots, Stewart teamed with other Hollywood moguls and put their own money into creating a flying school in Glendale, Arizona, which they named Thunderbird Field. This airfield trained more than 200,000 pilots during the War, became the origin of the Flying Thunderbirds, and is now the home of Thunderbird School of Global Management.[29]

Later in 1940, Stewart was drafted into the United States Army Air Corps (USAAC) but was rejected due to a weight problem. The USAAC had strict height and weight requirements for new recruits and Stewart was five pounds under the standard. To get up to 148 pounds he sought out the help of Metro-Goldwyn-Mayer's muscle man, Don Loomis, who was legendary for his ability to add or subtract pounds in his studio gymnasium. Stewart subsequently attempted to enlist in the USAAC but still came in under the weight requirement although he persuaded the AAC enlistment officer to run new tests, this time passing the weigh-in,[30] with the result that Stewart successfully enlisted in the Army in March 1941. He became the first major American movie star to wear a military uniform in World War II.

Stewart enlisted as a private and began pilot training in the renamed United States Army Air Forces (USAAF). During this time the Japanese attacked Pearl Harbor, bringing the US into direct involvement in the war. Stewart continued his military training and earned a commission as a second lieutenant in January, 1942. He was posted to Moffett Field and then Mather Field as an instructor pilot in single- and twin-engine aircraft.[31]

Public appearances by Stewart were limited engagements scheduled by the Army Air Forces. "Stewart appeared several times on network radio with Edgar Bergen and Charlie McCarthy. Shortly after Pearl Harbor, he performed with Orson Welles, Edward G. Robinson, Walter Huston and Lionel Barrymore in an all-network radio program called We Hold These Truths, dedicated to the 150th anniversary of the Bill of Rights."[32] In early 1942, Stewart was asked to appear in a propaganda film to help recruit the anticipated 100,000 airmen the USAAF would need to win the war. The USAAF's First Motion Picture Unit shot scenes of Lieutenant Stewart in his pilot's flight suit and recorded his voice for narration. The short film, Winning Your Wings, appeared nationwide beginning in late May and was very successful, resulting in 150,000 new recruits.[33]

Stewart was concerne

ג'יימס סטיוארט

ג'יימס סטיוארט, 1948 ג'יימס מייטלנד סטיוארט (באנגלית: James Maitland Stewart;‏ 20 במאי 1908 - 2 ביולי 1997) היה שחקן תיאטרון וקולנוע אמריקאי. סטיוארט קנה את עולמו כאחד מהשחקנים החשובים ביותר בהיסטוריה של הקולנוע האמריקאי, לאחר שכיכב בסרטים קלאסיים רבים. בסרטיו הרבה לעבוד עם יוצרי קולנוע חשובים אחרים בהוליווד, בהם אלפרד היצ'קוק, פרנק קפרה, ג'ון פורד, בילי ויילדר ואנתוני מן. סטיוארט היה מועמד 5 פעמים לפרס האוסקר ואף זכה באחד על משחקו, כמו גם פרס נוסף על מפעל חייו. כמו כן זכה בשני פרסי גלובוס הזהב, אחד מהם על מפעל חייו. בין סרטיו הבולטים: החבל, חלון אחורי, מר סמית' הולך לוושינגטון, אלו חיים נפלאים, ורטיגו, החנות מעבר לפינה, האיש שירה בליברטי וואלנס, האיש שידע יותר מדי, אנטומיה של רצח ושובו של דיסטרי. בנוסף לקריירת משחק, סטיוארט היה בעל קריירה צבאית ענפה, אשר הסתיימה עם פרישתו מחיל האוויר של ארצות הברית בדרגת מייג'ור גנרל (אלוף). סטיוארט זכה למספר עיטורים על שירותו הצבאי, בהם אף עיטור צלב המלחמה הצרפתי, על השתתפותו במלחמת העולם השנייה. כמו כן, סטיוארט הוא מחתני מדליית החירות הנשיאותית, אותה קיבל ב-1985. ראו גם[%D7%A2%D7%A8%D7%99%D7%9B%D7%AA קוד מקור | עריכה]

אלו חיים נפלאים קישורים חיצוניים[%D7%A2%D7%A8%D7%99%D7%9B%D7%AA קוד מקור | עריכה]

מיזמי קרן ויקימדיה ויקישיתוף תמונות ומדיה בוויקישיתוף: ג'יימס סטיוארט ג'יימס סטיוארט, במסד הנתונים הקולנועיים IMDb (באנגלית) ג'יימס סטיוארט באתר TCM מוזיאון ג'ימי סטיוארט בריגדיר גנרל ג'יימס סטיוארט באתר מוזיאון חיל האוויר של ארצות הברית ג'יימס סטיוארט באתר חתני מדליית החירות הנשיאותית תמונות מסרטי ג'יימס סטיוארט

[%D7%94%D7%A1%D7%AA%D7%A8%D7%94] פרס אוסקר לשחקן הטוב ביותר 1928‏-1940	אמיל יאנינגס (1928) • ורנר בקסטר (1929) • ג'ורג' ארליס (1930) • ליונל ברימור (1931) • פרדריק מארץ'/ואלאס בירי (1932) • צ'ארלס לוטון (1933) • קלארק גייבל (1934) • ויקטור מקלגלן (1935) • פול מוני (1936) • ספנסר טרייסי (1937) • ספנסר טרייסי (1938) • רוברט דונט (1940) • ג'יימס סטיוארט 1941‏-1960	גרי קופר (1941) • ג'יימס קאגני (1942) • פול לוקאס (1943) • בינג קרוסבי (1944) • ריי מילאנד (1945) • פרדריק מארץ' (1946) • רונלד קולמן (1947) • לורנס אוליבייה (1948) • ברודריק קרופורד (1949) • חוזה פרר (1950) • המפרי בוגרט (1951) • גרי קופר (1952) • ויליאם הולדן (1953) • מרלון ברנדו (1954) • ארנסט בורגנין (1955) • יול ברינר (1956) • אלק גינס (1957) • דייוויד ניבן (1958) • צ'רלטון הסטון (1959) • ברט לנקסטר (1960) 1961‏-1980	מקסימיליאן של (1961) • גרגורי פק (1962) • סידני פואטייה (1963) • רקס הריסון (1964) • לי מרווין (1965) • פול סקופילד (1966) • רוד סטייגר (1967) • קליף רוברטסון (1968) • ג'ון ויין (1969) • ג'ורג' סי. סקוט (1970) • ג'ין הקמן (1971) • מרלון ברנדו (1972) • ג'ק למון (1973) • ארט קרני (1974) • ג'ק ניקולסון (1975) • פיטר פינץ' (1976) • ריצ'רד דרייפוס (1977) • ג'ון ווייט (1978) • דסטין הופמן (1979) • רוברט דה נירו (1980) 1981‏-2000	הנרי פונדה (1981) • בן קינגסלי (1982) • רוברט דובאל (1983) • פ. מוריי אברהם (1984) • ויליאם הרט (1985) • פול ניומן (1986) • מייקל דאגלס (1987) • דסטין הופמן (1988) • דניאל דיי לואיס (1989) • ג'רמי איירונס (1990) • אנתוני הופקינס (1991) • אל פצ'ינו (1992) • טום הנקס (1993) • טום הנקס (1994) • ניקולס קייג' (1995) • ג'פרי ראש (1996) • ג'ק ניקולסון (1997) • רוברטו בניני (1998) • קווין ספייסי (1999) • ראסל קרואו (2000) 2001-היום	דנזל וושינגטון (2001) • אדריאן ברודי (2002) • שון פן (2003) • ג'יימי פוקס (2004) • פיליפ סימור הופמן (2005) • פורסט ויטאקר (2006) • דניאל דיי לואיס (2007) • שון פן (2008) • ג'ף ברידג'ס (2009) • קולין פירת' (2010) • ז'אן דוז'רדן (2011) • דניאל דיי לואיס (2012)

[%D7%94%D7%A1%D7%AA%D7%A8%D7%94] פרס גלובוס הזהב לשחקן הטוב ביותר בסדרת דרמה 1969‏-1980	מייק קונורס (1969) • פיטר גרייבס (1970) • רוברט יאנג (1971) • פיטר פאלק (1972) • ג'יימס סטיוארט (1973) • טלי סוואלס (1974) • רוברט בלייק/טלי סוואלס (1975) • ריצ'רד ג'ורדן (1976) • אדוארד אסנר (1977) • מייקל מוריארטי (1978) • אדוארד אסנר (1979) • ריצ'רד צ'מברליין (1980) 1981‏-2000	דניאל ג'יי. טראוואנטי (1981) • ג'ון פורסיית' (1982) • ג'ון פורסיית' (1983) • טום סלק (1984) • דון ג'ונסון (1985) • אדוארד וודוורד (1986) • ריצ'רד קיילי (1987) • רון פרלמן (1988) • קן וואהל (1989) • קייל מקלכלן (1990) • סקוט באקולה (1991) • סם ווטרסטון (1992) • דייוויד קארוזו (1993) • דניס פרנץ (1994) • ג'ימי סמיטס (1995) • דייוויד דוכובני (1996) • אנתוני אדוארדס (1997) • דילן מקדרמוט (1998) • ג'יימס גנדולפיני (1999) • מרטין שין (2000) 2001-היום	קיפר סאת'רלנד (2001) • מייקל צ'יקליס (2002) • אנתוני לפגליה (2003) • איאן מקשיין (2004) • יו לורי (2005) יו לורי (2006) • ג'ון האם (2007) • גבריאל ביירן (2008) • מייקל סי הול (2009) • סטיב בושמי (2010) • קלסי גראמר (2011) • דמיאן לואיס (2012) • בראיין קראנסטון (2013)

[%D7%94%D7%A1%D7%AA%D7%A8%D7%94] מנחי טקסי האוסקר 1928‏-1940	דאגלס פיירבנקס וויליאם דמיל (1928) • ויליאם דמיל (1929) • קונרד נייג'ל (1930) • לורנס גרנט (1931) • ליונל ברימור (1932) • ויל רוג'רס (1933) • ארווין קוב (1934) • פרנק קפרה (1935) • ג'ורג' ג'סל (1936) • בוב ברנס (1937) • ללא מנחה (1938) • בוב הופ (1939) • בוב הופ (1940) 1941‏-1960	ללא מנחה (1941) • בוב הופ (1942) • ג'ק בני (1943) • בוב הופ וג'ון קרומוול (1944) • בוב הופ וג'יימס סטיוארט (1945) • ג'ק בני (1946) • ללא מנחה (1947) • רוברט מונטגומרי (1948) • פול דאגלס (1949) • פרד אסטר (1950) • דני קיי (1951) • בוב הופ וקונרד נייג'ל (1952) • דונלד אוקונור ופרדריק מארץ' (1953) • בוב הופ ותלמה ריטר (1954) • ג'רי לואיס, קלודט קולבר וג'וזף מנקייביץ' (1955) • ג'רי לואיס וסלסט הולם (1956) • בוב הופ, דייוויד ניבן, ג'יימס סטיוארט, ג'ק למון ורוזלינד ראסל (1957) • בוב הופ, דייוויד ניבן, טוני רנדל, מורט סול, לורנס אוליבייה וג'רי לואיס (1958) • בוב הופ (1959) • בוב הופ (1960) 1961‏-1980	בוב הופ (1961) • פרנק סינטרה (1962) • ג'ק למון (1963) • בוב הופ (1964) • בוב הופ (1965) • בוב הופ (1966) • בוב הופ (1967) • ללא מנחה (1968) • ללא מנחה (1969) • ללא מנחה (1970) • הלן הייס, אלן קינג, סמי דייוויס ג'וניור וג'ק למון (1971) • קרול ברנט, מייקל קיין, צ'רלטון הסטון ורוק הדסון (1972) • ג'ון יוסטון, ברט ריינולדס, דייוויד ניבן ודיאנה רוס (1973) • סמי דייוויס ג'וניור, בוב הופ, שירלי מקליין ופרנק סינטרה (1974) • גולדי הון, ג'ין קלי, וולטר מתאו ורוברט שו (1975) • וורן בייטי, אלן בורסטין, ג'יין פונדה וריצ'רד פריור (1976) • בוב הופ (1977) • ג'וני קרסון (1978) • ג'וני קרסון (1979) • ג'וני קרסון (1980) 1981‏-2000	ג'וני קרסון (1981) • לייזה מינלי, דאדלי מור, ריצ'רד פריור ו-וולטר מתאו (1982) • ג'וני קרסון (1983) • ג'ק למון (1984) • אלן אלדה, ג'יין פונדה ורובין ויליאמס (1985) • צ'בי צ'ייס, גולדי הון ופול הוגן (1986) • צ'בי צ'ייס (1987) • ללא מנחה (1988) • בילי קריסטל (1989) • בילי קריסטל (1990) • בילי קריסטל (1991) • בילי קריסטל (1992) • וופי גולדברג (1993) • דייוויד לטרמן (1994) • וופי גולדברג (1995) • בילי קריסטל (1996) • בילי קריסטל (1997) • וופי גולדברג (1998) • בילי קריסטל (1999) • סטיב מרטין (2000) 2001-היום	וופי גולדברג (2001) • סטיב מרטין (2002) • בילי קריסטל (2003) • כריס רוק (2004) • ג'ון סטיוארט (2005) אלן דג'נרס (2006) • ג'ון סטיוארט (2007) • יו ג'קמן (2008) • סטיב מרטין ואלק בולדווין (2009) • ג'יימס פרנקו ואן האת'וויי (2010) • בילי קריסטל (2011) • סת' מקפרלן (2012) • אלן דג'נרס (2013) Film reel.svg ערך זה הוא קצרמר בנושא קולנוע. אתם מוזמנים לתרום לוויקיפדיה ולהרחיב אותו. קטגוריות: קצרמר קולנועשחקני קולנוע וטלוויזיה אמריקאיםזוכי פרס גלובוס הזהב - שחקניםזוכי פרס גלובוס הזהב - מפעל חייםמעוטרי מדליית החירות הנשיאותיתזוכי אוסקר: השחקן הטובזוכי אוסקר: פרסי כבודזוכי פרס גילדת שחקני המסך - מפעל חייםגנרלים בחיל האוויר של ארצות הבריתמעוטרי צלב המלחמהקצינים אמריקאים במלחמת העולם השנייה