Jean I, comte de Soissons

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Jean de Nesle (de Soissons), Count Of Soissons

Birthdate:
Birthplace: Soissons, France
Death: circa 1110 (51-61)
Soissons, France
Immediate Family:

Son of William II Busac d'Eu, comte d'Eu, comte de Soissons in jure uxoris and Adélaïde, comtesse de Soissons
Husband of Aveline de Pierrefonds
Father of Renaud III, comte de Soissons; Jean de Nesle, II and Adélaïs de Soissons
Brother of Renaud II de Soissons, comte de Soissons; Manasses de Soissons, Bishop of Soissons and NN de Soissons, héritière de Soissons

Occupation: Comte, de Soissons
Managed by: Douglas John Nimmo
Last Updated:

About Jean I, comte de Soissons

ADELA of Soissons (-c1105)
d/o RENAUD Count of Soissons
x GUILLAUME "Busac" d'Eu, Count of Soissons
1.RENAUD [II] Count of Soissons (-1099)
2.JOHN (->1115)
3.MANASSES Bishop of Soissons (-1 Mar 1108)
4. NN x IVES de Nesle

Blondel de Nesle From Wikipedia, the free encyclopedia For other uses, see Blondel (disambiguation).

Statue of Blondel near Durnstein Blondel de Nesle – either Jean I of Nesle (c. 1155 – 1202) or his son Jean II of Nesle (died 1241) – was a French trouvère. The name 'Blondel de Nesle' is attached to twenty-four or twenty-five courtly songs. He was identified in 1942, by Holger Dyggve, as Jean II of Nesle (near Amiens), who was nicknamed 'Blondel' for his long blond hair. He married at the time of his father's death in 1202, and that same year, went on the Fourth Crusade; he later fought in the Albigensian Crusade. However, in 1994, Yvan Lepage suggested that the poet may have been Jean I, father of Jean II, who was Lord of Nesle from 1180 to 1202; this Jean took part in the Third Crusade, which may explain the subsequent legend linking him with Richard I of England. If the works are correctly identified and dated, he was a significant influence on his European contemporaries, who made much use of his melodies. (The melody of "L'amours dont sui espris" is used in Carmina Burana, for the song "Procurans Odium"). His works are fairly conventional, and several have been recorded in modern times.

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